The Project Gutenberg eBook of Winona, a Dakota Legend; and Other Poems

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Winona, a Dakota Legend; and Other Poems

Author: E. L. Huggins

Release date: August 9, 2017 [eBook #55303]

Language: English

Credits: Produced by Emmy, MFR, K Nordquist and the Online

Distributed Proofreading Team at http://www.pgdp.net (This

file was produced from images generously made available

by The Internet Archive/American Libraries.)

*** START OF THE PROJECT GUTENBERG EBOOK WINONA, A DAKOTA LEGEND; AND OTHER POEMS ***

WINONA

A DAKOTA LEGEND

AND OTHER POEMS

BY

CAPTAIN E. L. HUGGINS

2d Cavalry U. S. Army

G. P. PUTNAM’S SONS

NEW YORK

27 West Twenty-third St.

LONDON

27 King William St., Strand

Knickerbocker Press

1890

COPYRIGHT, 1890

BY

ELI L. HUGGINS.

The Knickerbocker Press, New York

Electrotyped, Printed, and Bound by

G. P. Putnam’s Sons

CONTENTS.

Transcriber’s Note: Incorrect page numbering in the original has been amended here.

PAGE

W INONA, A DAKOTA LEGEND.

P ROEM.

3

P ART I.

9

P ART II.

20

P ART III.

33

M ISCELLANEOUS POEMS.

T O A YOUNG MAN

43

T ELL ME, DEAR BIRD

45

P ERDITA

47

S TANZAS TO ⸺

52

L OVE’S TRIBUTE

55

T HE LITTLE SHEPHERDESS.—PASTORELLE

57

A  FAREWELL

58

T O A FICKLE FAIR ONE

59

T O THE SAME

59

T HE PALACE OF REPOSE

60

M OODS

63

T O ⸺

74

T O ⸺

76

T O THE SAME

76

T O THE SAME

76

T RANSLATIONS AND IMITATIONS.

I F MY VERSES HAD WINGS LIKE A BIRD.—HUGO

79

’TWIXT SLEEP AND WAKING.—PROSPER BLANCHEMAIN

80

W HITE SWAN SAILING.—FROM THE RUSSIAN,

81

T HE ROSES OF SAADI.—DESBORDES-VALMORE,

84

R OSE-BUDS.—BÉRANGER

85

T HE BIRD I WAIT FOR.—MOREAU

87

V ISIONS.—DE MUSSET

89

T HE FISHERMAN’S BRIDAL.—DELAVIGNE

92

Y OU HAD MY WHOLE HEART.—DESBORDES-VALMORE

95

A RT.—THÉOPHILE GAUTIER

97

B ARCAROLLE.—THÉOPHILE GAUTIER

100

S HADOWS.—THÉOPHILE GAUTIER

103

S ONNET: OU VONT ILS?—SULLY PRUDHOMME,

113

T HE GAY CASHIER.—ADAPTED FROM THE FRENCH

114

T HE RAVAGES OF TIME.—SCARRON

115

H ALLUCINATION.—FROM THE FRENCH.

I.

116

II.

117

III.

117

IV. I N THE GROVE

118

T O MY CRITICS.—DE MUSSET

119

T HE YOUTH AND THE OLD MAN.—FLORIAN

121

T HE CATHEDRAL BELL AND ITS RIVAL.—IRIARTE

123

BLUE EYES AND BLACK EYES.—I MITATED FROM ANDALUSIAN COPLAS.

I.

125

II.

126

C OMPLAINT TO THE VIRGIN.—FROM A CUBAN POETESS

128

T HE CRUCIFIXION. OLD FRENCH SONNET

132

F ROM THE SPANISH

133

T HE BOOK OF LIFE.—LAMARTINE

134

M EMORIAL DAY AND OTHER POEMS. DEDICATED TO THE G. A. R.

T WENTY YEARS AGO. WRITTEN FOR MEMORIAL DAY, 1885

137

A BRAHAM LINCOLN

141

T HE PRISONER’S DREAM

142

H OW OFT A SENTRY SAD AND LONE

143

F ROM COPLAS OF AN ANDALUSIAN SOLDIER

144

F ROM THE SAME

145

T HE GLORY OF A SPANISH DRAGOON.—FROM THE SAME

146

W RITTEN FOR A REUNION OF VETERANS IN THE YEAR 1915

148

T WENTY-FIVE SONNETS.

T O ⸺

153

P OESY

154

T HE ROSE

155

T O A FAIR SANTA BARBARAN

156

L A DIVA

157

T O A HAPPY LOVER

158

M ETEMPSYCHOSIS.

I.

159

II.

159

T HREE SONNETS IN MEMORIAM.

I. D ESPAIR—THE ABYSS

161

II. Q UESTIONING

161

III. C ONSOLATION

162

I N MEMORY OF D. G. R.

163

I N MEMORY OF JOHN BROWN OF OSSAWATTOMIE. INSCRIBED TO JOHN J. INGALLS.

I.

164

II.

165

III.

165

O UR LOST ONES

167

T HE OCEAN OF THE PAST

168

E VIL DAYS

169

E NVY AND SLANDER. TO N. N. M.

170

T RUE FREEDOM. TO J. F. F.

171

“SOCIETY”

172

T HE STAGNANT POOL

173

T HE MAN WITH THE MUCK RAKE

174

I MMORTALITY

175

T O A YOUNG ARTIST

176

WINONA: A DAKOTA LEGEND

WINONA: A DAKOTA LEGEND.

PROEM.

How changed, fair Minnetonka, is thy face

Since first I saw thee in thy pristine grace.

Electric lights fantastically glow,

Swarming like fire-flies on the shores where long,

Through countless summer nights a vanished throng,

Only the Indian camp-fire flickered low.

The odor of the baleful cigarette

Assails us now, where the mild calumet

Around the circle like a censer swung.

The notes of Strauss intoxicate the air,

And dainty feet in cadence twinkle there,

Where in rude strains the warriors’ deeds were sung,

And where the Indian lover’s plaintive flute

Lured to the trysting-place the dusky maid.

Discreetly hidden in the sylvan shade,

The Anglomaniac comes to press his suit,

And Patrick, too, out for a holiday,

Strolls with his Bridget here en dimanché,

And softly whispers in his charmer’s ear

The same old tale, to lovers ever dear.

The rustling leaves, the waves, the mating bird,

Sing the same songs the Indian maiden heard.

Save a few stately names, the vanished race

Whose dust we daily trample leave no trace

Or monument. None who that race have known

Ere poisoned by the vices of our own,

Deem it ignoble; but the white man’s breath,

To him a besom of consuming death,

Sweeps him like ashes from his natal hearth,

E’en as one day some race of stronger birth

Will sweep our children’s children from the earth.

More noxious than the fabled upas tree,

We blight his virtues first, and then with scorn

Repel the hands extended once to save

Our exiled fathers, fleeing o’er the wave.

Yet in his deepest fall, the warrior, born

Of warrior lineage fetterless and free,

Retains unquenched in his unyielding soul

A secret flame in spite of all control.

He brooks no slavish, ignominious toil,

By scourger driven to till the white man’s soil.

Chained in Plutonian caverns far from day,

His spirit swiftly chafes its bars away;

Or by his own impatient hand released,

With rapture bounds as to a marriage feast.

Wealth, pomp, and power ne’er his soul affect;

Still unabashed he stands, unmoved, erect,

His blanket draped, albeit not too clean,

About him with a Roman consul’s mien,

And in the white light of a throne his eye

Would meet, nor quail, the eye of majesty.

His own war-eagle to the sun that soared,

Gave back with eye undimmed its fiery glare,

And sported with the speaking lightnings where

The Thunder-Birds[1] along the tempest roared;

Or swept the plain, but saw no Indian slave

From the Pacific to Atlantic wave.

Fair Minnetonka, thou art changed, and yet

I know not if ’twere matter for regret.

Thou wast a maid untried, with yielding heart,

With flowing hair, and ample sheltering arms,

And unabashed contours, whose rosy charms

Were all untrammelled by the hand of art,

And eyes of dreamy mystery, wherein

E’en then thy triumphs dimly were foreseen;

A worldly-wise and queenly woman now,

Adorned with spoil of many victories,

And flush of further conquest on thy brow;

Jewels cannot thy native charms enhance,

Nor can thy robes, too tightly laced perchance,

The matchless beauty of thy form disguise.

Through every change, by every tongue confessed,

Peerless amid thy sisters East or West;

Like her of whom the master-singer wrote,

“Age cannot wither her nor custom stale

Her infinite variety.”

Thus float

My wandering thoughts, as on the balcony

I sit alone bathed in the moonlight pale,

And musing thus the scene changed suddenly:

Hotel and cottage vanished; to the shore

The prairie sloped a green unbroken floor.

Eight lustrums back, through rosy summers fled,

Adown a dwindling vista far I sped,

A careless youth; again my hoary head

Bloomed with the sunny wealth of twenty years.

A day came back, a day without compeers,

When with a bright companion long since dead,

In my canoe I flitted o’er the lake,

And our swift paddles scattered pearly tears

Upon the smiling ripples in our wake.

She, my companion, was a little maid

Of somewhat rustic garb, of English speech,

Yet something in her accents quaint and rich,

And the warm tinge upon her cheek, betrayed

The mingling crimson of a darker shade,—

Her kinship to the remnant lingering still,

Whose cone-shaped lodges picturesquely stood,

Dotting the hither base of yonder hill,

Like late leaves clinging, spite of growing chill,

Upon the boughs of a November wood.

Changing our mood, we idly drifted there,

Two happy children in a cradling shell

Poised ’twixt two azure vaults; the mystic spell

Of Indian summer brooded in the air,

Filling with human love and sympathy

E’en things inanimate; the earth and sky

Leaned to each other, and the rocks and trees,

Like brothers, seemed sharing our reveries.

“Tell me some legend of the lake,” I cried,

“For in a spot that breathes on every side

Such air of poesy, whose influence

Subdues with such a charm our every sense,

How many loving hearts have loved and died!

How many souls as lofty and intense

As those whose names throughout the whole world ring,

In the high songs the olden minstrels sing!

Who hears those voices e’en but for a day,

The sound remains a part of him alway:

Penelope the constant; Hero sweet;

Briseis weeping at Achilles’ feet;

Andromeda by wingèd Perseus found—

Bright blossom to the sea-girt rock fast bound;

The Lesbian queen of song, but passion’s slave,

Who quenched her burning torch beneath the wave;

Helen, whose beauty, like a fatal brand,

Lit up the towers of Troy o’er sea and land;

And Juliet, swaying at her window’s height,

What slender lily in the wan moonlight.”

“I do not know,” the little maid replied,

“The names of which you speak, but ere she died

My mother told me many stories old,

Some joyous and some sad, of warriors bold,

And spirits, haunting forest, plain, and stream.

Each had its god, and creatures of strange form,

Half beast, half human; all these figures seem

Mingling away in a fantastic swarm,

Dim as the faces of a last year’s dream,

Or motes that mingle in a slant sunbeam.

The legends vanish too; among them all

This one alone, distinctly I recall.”

The tale she told me then I now rehearse,

Set in a frame of rude, unpolished verse.

PART I.

Winona,[2] first-born daughter, was the name

Of a Dakota girl who, long ago,

Dwelt with her people here unknown to fame.

Sweet word, Winona, how my heart and lips

Cling to that name (my mother’s was the same

Ere her form faded into death’s eclipse),

Cling lovingly, and loth to let it go.

All arts that unto savage life belong

She knew, made moccasins, and dressed the game.

From crippling fashions free, her well-knit frame

At fifteen summers was mature and strong.

She pitched the tipi,[3] dug the tipsin[4] roots,

Gathered wild rice and store of savage fruits.

Fearless and self-reliant, she could go

Across the prairie on a starless night;

She speared the fish while in his wildest flight,

And almost like a warrior drew the bow.

Yet she was not all hardness: the keen glance,

Lighting the darkness of her eyes, perchance

Betrayed no softness, but her voice, that rose

O’er the weird circle of the midnight dance,

Through all the gamut ran of human woes,

Passion, and joy. A woman’s love she had

For ornament; on gala days was clad

In garments of the softest doeskin fine,

With shells about her neck; moccasins neat

Were drawn, like gloves, upon her little feet,

Adorned with scarlet quills of porcupine.

Innocent of the niceties refined

That to the toilet her pale sisters bind,

Yet much the same beneath the outer rind,

She was, though all unskilled in bookish lore,

A sound, sweet woman to the very core.

Winona’s uncle, and step-father too,

Was all the father that she ever knew;

By the Absarakas[5] her own was slain

Before her memory could his face retain.

Two bitter years his widow mourned him dead,

And then his elder brother she had wed.

None loved Winona’s uncle; he was stern

And harsh in manner, cold and taciturn,

And none might see, without a secret fear,

Those thin lips ever curling to a sneer.

And yet he was of note and influence

Among the chieftains; true he rarely lent

More than his presence in the council tent,

And when he rose to speak disdained pretence

Of arts rhetoric, but his few words went

Straight and incisive to the question’s core,

And rarely was his counsel overborne.

The Raven was the fitting name he bore,

And though his winters wellnigh reached threescore,

Few of his tribe excelled him in the chase.

A warrior of renown, but never wore

The dancing eagle plumes, and seemed to scorn

The vanities and follies of his race.

I said the Raven was beloved by none;

But no, among the elders there was one

Who often sought him, and the two would walk

Apart for hours, and converse alone.

The gossips, marvelling much what this might mean,

Whispered that they at midnight had been seen

Far from the village wrapped in secret talk.

They seemed in truth an ill-assorted brace,

But Nature oft in Siamese bond unites,

By some strange tie, the farthest opposites.

Gray Cloud was oily, plausible, and vain,

A conjurer with subtle scheming brain;

Too corpulent and clumsy for the chase,

His lodge was still provided with the best,

And though sometimes but a half welcome guest,

He took his dish and spoon to every feast.[6]

Priestcraft and leechcraft were combined in him,

Two trades occult upon which knaves have thriven,

Almost since man from Paradise was driven;

Padding with pompous phrases worn and old

Their scanty esoteric science dim,

And gravely selling, at their weight in gold,

Placebos colored to their patients’ whim.

Man’s noblest mission here too oft is made,

In heathen as in Christian lands, a trade.

Holy the task to comfort and console

The tortured body and the sin-sick soul,

But pain and sorrow, even prayer and creed,

Are turned too oft to instruments of greed.

The conjurer claimed to bear a mission high:

Mysterious omens of the earth and sky

He knew to read; his medicine could find

In time of need the buffalo, and bind

In sleep the senses of the enemy.

Perhaps not wholly a deliberate cheat,

And yet dissimulation and deceit

Oozed from his form obese at every pore.

Skilled by long practice in the priestly art,

To chill with superstitious fear the heart,

And versed in all the legendary lore,

He knew each herb and root that healing bore;

But lest his flock might grow as wise as he,

Disguised their use with solemn mummery.

When all the village wrapped in slumber lay,

His midnight incantations often fell,

His chant now weirdly rose, now sank away,

As o’er some dying child he cast his spell.

And sometimes through his frame strange tremors ran—

Magnetic waves, swept from the unknown pole

Linking the body to the wavering soul;

And swifter came his breath, as if to fan

The feeble life spark, and his finger tips

Were to the brow of pain like angel lips.

No wonder if in moments such as these

He half believed in his own deities,

And thought his sacred rattle could compel

The swarming powers unseen to serve him well.

The Raven lay one evening in his tent

With his accustomed crony at his side;

Around their heads a graceful aureole

Of smoke curled upward from the scarlet bowl

Of Gray Cloud’s pipe with willow bark supplied.

Winona’s thrifty mother came and went,

Her form with household cares and burdens bent,

Fresh fuel adds, and stirs the boiling pot.

Meanwhile the young Winona, half reclined,

Plies her swift needle, that resource refined

For woman’s leisure, whatsoe’er her lot,

The kingly palace or the savage cot.

The cronies smoked without a sign or word,

Passing the pipe sedately to and fro;

Only a distant wail of hopeless woe,

A mother mourning for her child, was heard,

And Gray Cloud moved, as though the sound had stirred

Some dusty memory; still that bitter wail,

Rachel’s despairing cry without avail,

That beats the brazen firmament in vain,

Since the first mother wept o’er Abel slain.

At length the conjurer’s lips the silence broke,

Softly at first as to himself he spoke,

Till warmed by his own swarming fancies’ brood

He poured the strain almost in numbers rude.

THE COMBAT BETWEEN THE THUNDER-BIRDS AND THE WATER-DEMONS.

Gray Cloud shall not be as other men,

Dull clods that move and breathe a day or two,

Ere other clods shall bury them from view.

Tempest and sky have been my home, and when

I pass from earth I shall find welcome there.

Sons of the Thunder-Bird my playmates were,

Ages ago[7] (the tallest oak to-day

In all the land was but a grass blade then).

Reared with such brethren, breathing such an air,

My spirit grew as tall and bold as they;

We tossed the ball and flushed the noble prey

O’er happy plains from human footsteps far;

And when our high chief’s voice to arm for war

Rang out in tones that rent the morning sky,

None of the band exulted more than I.

A god might gaze and tremble at the sight

Of our array that turned the day to night;

With bow and shield and flame-tipped arrows all,

Rushing together at our leader’s call,

Like storm clouds sweeping round a mountain height.

The lofty cliffs our warlike muster saw,

Hard by the village of great Wabashaw,[8]

Where through a lake the Mississippi flows;

Far o’er the dwelling of our ancient foes,

The hated Water-Demon[9] and his sons,

Cold, dark and deep the sluggish current runs.

Up from their caverns swarming, when they heard

The rolling signal of the Thunder-Bird,

The Water-Demon and his sons arose,

And answered back the challenge of their foes.

With horns tumultuous clashing like a herd

Of warring elks that struggle for the does,

They lashed the wave to clouds of spray and foam,

Through which their forms uncouth, like buffaloes

Seen dimly through a morning mist, did loom,

Or isles at twilight rising from the shore.

Though we were thirty, they at least fourscore,

We rushed upon them, and a midnight pall

Over the seething lake our pinions spread,

’Neath which our gleaming arrows thickly sped,

As shooting stars that in the rice-moon fall.

Rent by our beating wings the cloud-waves swung

In eddies round us, and our leader’s roar

Smote peal on peal, and from their bases flung

The rocks that towered along the trembling shore.

A Thunder-Bird—alas, my chosen friend,

But even so a warrior’s life should end,—

A Thunder-Bird was stricken; his bright beak,

Cleaving the tumult like a lightning streak,

Smote with a fiery hiss the watery plain;

His upturned breast, where gleamed one fleck of red,

His sable wings, one moment wide outspread,

Blackened the whirlpool o’er his sinking head.

The Water-Demon’s sons by scores were slain

By our swift arrows falling like the rain;

With yells of rage they sank beneath the wave

That ran all redly now, but could not save.

We asked not mercy, mercy never gave;

Our flaming darts lit up the farthest caves,

Fathoms below the reach of deepest line;

Our cruel spears, taller than mountain pine,

Mingled their life blood with the ruddy wave.

The combat ceased, the Thunder-Birds had won.

The Water-Demon with one favorite son

Fled from the carnage and escaped our wrath.

The vapors, thinly curling from the shore,

Faint musky odors to our nostrils bore.

The air was stilled, the silence of the dead;

The sun, just starting on his downward path,

A rosy mantle o’er the prairie shed,

Save where, like vultures, ominous and still,

We clustered close, on sullen wings outspread;

And sometimes, with a momentary chill,

A giant shadow swept o’er plain and hill,—

A Thunder-Bird careering overhead,

Seeking the track by which the foe had fled.

While thus we hovered motionless, the sun

Adown the west his punctual course had run,

When lo, two shining points far up the stream

That split the prairie with a silver seam,—

The fleeing Water-Demon and his son;

Like icicles they glittered in the beam

Still struggling up from the horizon’s rim.

His sleeping anger kindled at the sight,

Our leader’s eyes glowed like a flaming brand.

Thrilled by one impulse, all our sable band

Dove through the gathering shadows of the night

On wings outshaken for a headlong flight.

Anger, revenge, but more than all the thirst,

The glorious emulation to be first,

Stung me like fire, and filled each quivering plume.

With tenfold speed our sharp beaks cleft the gloom,

A swarm of arrows singing to the mark,

We hissed to pierce the foe ere yet ’twas dark.

Still up the stream the Water-Demons fled,

Their bodies glowed like fox-fire far ahead;

But every moment saw the distance close

Between our thirsting spear-heads and our foes.

Louder the blast our buzzing pinions made

Than mighty forest in a whirlwind swayed;

The giant cliffs of Redwing speeding back,

Like spectres melting from a cloudy wrack,

Melted from view in our dissolving track.

Kaposia’s village, clustered on the shore,

With sound of snapping poles and tipis riven,

Vanished like swan’s-down by a tempest driven.

Stung by our flight, the keen air smote us sore

As ragged hailstones; on, still on, we strained,

And fast and faster on the chase we gained,

But neck and neck the fierce pursuit remained,

Till close ahead we saw the rocky walls

O’er which the mighty river plunging falls,[10]

And at their base the Water-Demons lay:

The panting chase at last had turned to bay.

Then thrilled my nerves with more than mortal strength;

A breath of Deity was in the burst

That bore me out a goodly lance’s length

To meet the Water-Demon’s son accurst.

His evil horn clanged hollow on my shield

Just as my spear transfixed him through and through;

A moment towering o’er the foam he reeled,

Then sank beneath the roaring falls from view.

A dying yell that haunts me yet he gave,

And as he fell the crippled water coiled

About him like a wounded snake, and boiled,

leashing itself to madness o’er his grave.

We knew not where the parent Demon fled;

None of our spears might pierce his ancient mail,

Welded with skill demoniac scale on scale.

Some watery realm he wanders, and ’tis said

That he is changed and bears a brighter form,

And goodly sons again about him swarm;

And peace, ’tis but a hollow truce I know,

Now reigns between him and his ancient foe.

He hates me still, and fain would do me harm,

But neither man nor demon dares offend,

Who hath the cruel Thunder-Bird for friend.

PART II.

Nature hath her élite in every land,

Sealed by her signet, felt although unseen.

Winona ’mid her fellows moved a queen,

And scarce a youthful beau in all the band

But sighed in secret longing for her hand.

One only she distinguished o’er the rest,

The latest aspirant for martial fame,

Redstar, a youth whose coup-stick like his name

(Till recently he had been plain Chaské)[11]

Was new, fresh plucked the feathers on his crest.

Just what the feats on which he based his claim

To warlike glory it were hard to say;

He ne’er had seen more than one trivial fray,

But bold assurance sometimes wins the day.

Winona gave him generous credit, too,

For all the gallant deeds he meant to do.

His gay, barbaric dress, his lofty air

Enmeshed her in a sweet bewildering snare.

Transfigured by the light of her own passion,

She saw Chaské in much the usual fashion

Of fairer maids, who love, or think they do.

’Tis not the man they love, but what he seems;

A bright Hyperion, moving stately through

The rosy ether of exalted dreams.

Alas! that love, the purest and most real,

Clusters forever round some form ideal;

And martial things have some strange necromancy

To captivate romantic maiden fancy.

The very word “Lieutenant” hath a charm,

E’en coupled with a vulgar face and form,

A shrivelled heart and microscopic wit,

Scarce for a coachman or a barber fit;

His untried sword, his title, are to her

Better than genius, wealth, or high renown;

His uniform is sweeter than the gown

Of an Episcopalian minister;

And “dash,” for swagger but a synonym,

Is knightly grace and chivalry with him.

Unnoted young Winona’s passion grew,

Chaské alone the tender secret knew;

And he, too selfish love like hers to know,

Warmed by her presence to a transient glow,

Her silent homage drank as ’twere his due.

Winona asked no more though madly fond,

Nor hardly dreamed as yet of closer bond;

But Chance, or Providence, or iron Fate

(Call it what name you will), or soon or late,

Bends to its purpose every human will,

And brings to each its destined good or ill.

THE GROVE.

O’erlooking Minnetonka’s shore,

A grove enchanted lured of yore,

Inured to their deepest woe and joy,

A happy maiden and careless boy;

Lured their feet to its inmost core,

Where like snowy maidens the aspen trees

Swayed and beckoned in the breeze,

While the prairie grass, like rippling seas,

Faintly murmuring lulling hymns,

Rippled about their gleaming limbs.

There is no such charm in a garden-close,

However fair its bower and rose,

As a place where the wild and free rejoice.

Nor doth the storied and ivied arch

Woo the heart with half so sweet a voice

As the bowering arms of the wild-wood larch,

Where the clematis and wild woodbine

Festoon the flowering eglantine;

Where in every flower, shrub, and tree

Is heard the hum of the honey-bee,

And the linden blossoms are softly stirred,

As the fanning wings of the humming-bird

Scatter a perfume of pollen dust,

That mounts to the kindling soul like must;

Where the turtles each spring their loves renew—

The old, old story, “coo-roo, coo-roo,”

Mingles with the wooing note

That bubbles from the song-bird’s throat;

Where on waves of rosy light at play,

Mingle a thousand airy minions,

And drifting as on a golden bay,

The butterfly with his petal pinions,

From isle to isle of his fair dominions

Floats with the languid tides away;

Where the squirrel and rabbit shyly mate,

And none so timid but finds her fate;

The meek hen-robin upon the nest

Thrills to her lover’s flaming breast.

Youth, Love, and Life, ’mid scenes like this,

Go to the same sweet tune of bliss;

E’en the flaming flowers of passion seem

Pure as the lily buds that dream

On the bosom of a mountain stream.

Such was the grove that lured of yore,

O’erlooking Minnetonka’s shore,

Lured to their deepest woe and joy

A happy maiden and careless boy,—

Lured their feet to its inmost core;

Where still mysterious shadows slept,

While the plenilune from her path above

With liquid amber bathed the grove,

That through the tree-tops trickling crept,

And every tender alley swept.

The happy maiden and careless boy,

Caught for a moment their deepest joy,

And the iris hues of Youth and Love,

A tender glamour about them wove;

But the trembling shadows the aspens cast

From the maiden’s spirit never passed;

And the nectar was poisoned that thrilled and filled,

From every treacherous leaf distilled,

Her veins that night with a strange alloy.

Swift came the hour that maid and boy must part;

A glow unwonted, tinged with dusky red

Winona’s conscious face as home she sped;

And to the song exultant in her heart,

Beat her light moccasins with rhythmic tread.

But at the summit of a little hill,

Along whose base the village lay outspread,

A sudden sense of some impending ill

Smote the sweet fever in her veins with chill.

The lake she skirted, on whose mailèd breast

Rode like a shield the moon from out the west.

She neared her lodge, but there her quick eye caught

The voice of Gray Cloud, and her steps were stayed,

For over her of late an icy fear

Brooded with vulture wings when he was near.

She knew not why, her eye he never sought,

Nor deigned to speak, and yet she felt dismayed

At thought of him, as the mimosa’s leaf

Before the fingers touch it shrinks with dread.

She paused a moment, then with furtive tread

Close to the tipi glided like a thief;

With lips apart, and eager bended head,

She listened there to what the conjurer said.

His voice, low, musical, recounted o’er

Strange tales of days when other forms he wore:

How, far above the highest airy plain

Where soars and sings the weird, fantastic crane,

Wafted like thistle-down he strayed at will,

With power almost supreme for good or ill,

Over all lands and nations near and far,

Beyond the seas, or ’neath the northern star,

And long had pondered where were best to dwell

When he should deign a human shape to wear.

“Whether to be of them that buy and sell,

With fish-scale eyes, and yellow corn-silk hair,

Or with the stone-men chase the giant game.

But wander where you may, no land can claim

A sky so fair as ours; the sun each day

Circles the earth with glaring eye, but sees

No lakes or plains so beautiful as these;

Nor e’er hath trod or shall upon the earth

A race like ours of true Dakota birth.

Our chiefs and sages, who so wise as they

To counsel or to lead in peace or war,

And heal the sick by deep mysterious law.

Our beauteous warriors lithe of limb and strong,

Fierce to avenge their own and others’ wrong,

What gasping terror smites their battle song

When, night-birds gathering near the dawn of day,

Or wolves in chorus ravening for the prey,

They burst upon the sleeping Chippeway;[12]

Their women wail whose hated fingers dare

To reap the harvest of our midnight hair;

Swifter than eagles, as a panther fleet,

A hungry panther seeking for his meat,

So swift and noiseless their avenging feet.

* * * * *

Dakota matrons truest are and best,

Dakota maidens too are loveliest.”

He ceased, and soon, departing through the night,

She watched his burly form till out of sight.

And then the Raven spoke in whispers low:

“Gray Cloud demands our daughter’s hand, and she

Unto his tipi very soon must go.”

Winona’s mother sought to make reply,

But something checked her in his tone or eye.

Again the Raven spoke, imperiously:

“Winona is of proper age to wed;

Her suitor suits me, let no more be said.”

Winona heard no more; a rising wave

Of mingled indignation, fear, and shame

Like a resistless tempest shook her frame,

The earth swam round her, and her senses reeled;

Better for her a thousand times the grave

Than life in Gray Cloud’s tent, but what could she

Against the stern, implacable decree

Of one whose will was never known to yield?

Winona fled, scarce knowing where or how;

Fled like a phantom through the moonlight cool

Until she stood upon the rocky brow

That overlooked a deep sequestered pool,

Where slumbering in a grove-encircled bay

Lake Minnetonka’s purest waters lay.

Unto the brink she rushed, but faltered there—

Life to the young is sweet; in vain her eye

Swept for a moment grove and wave and sky

With mute appeal. But see, two white swans fair

Gleamed from the shadows that o’erhung the shore,

Like moons emerging from a sable screen;

Swimming abreast, what haughty king and queen,

With arching necks their regal course they bore.

Winona marvelled at the unwonted sight

Of white swans swimming there at dead of night,

Her frenzy half beguiling with the scene.

Unearthly heralds sure, for in their wake

What ruddy furrows seamed the placid lake.

Almost beneath her feet they came, so near

She might have tossed a pebble on their backs,

When lo, their long necks pierced the waters clear,

As down they dove, two shafts of purest light,

And chasing fast on their descending tracks,

A swarm of spirals luminous and white,

Swirled to the gloom of nether depths from sight.

Then all was still for some few moments’ space,

So smooth the pool, so vanished every trace,

It seemed that surely the fantastic pair

Had been but snowy phantoms passing there.

Winona hardly hoped to see them rise,

But while she gazed with half expectant eyes,

The waters strangely quivered in a place

About the bigness of a tipi’s space,

Where weirdly lighting up the hollow wave

Beat a deep-glowing heart, whose pulsing ray

Now faded to a rosy flush away,

Now filled with fiery glare the farthest cave.

A shapeless bulk arose, then, taking form,

Bloomed forth upon the bosom of the lake

A crystal rose, or hillock mammiform,

And round its base the curling foam did break

As round a sunny islet in a storm;

And on it poised a swiftly changing form,

With filmy mantle falling musical,

And colors of the floating bubble’s ball,

Fair and elusive as the sprites that play,

Bright children of the sun-illumined spray,

’Mid rainbows of a mountain waterfall.

Then mingling with the falling waters came

In whispers sibilant Winona’s name;

So indistinct and low that voice intense,

That she, half frightened, cowering in the grass

In much bewilderment at what did pass,

Till thrice repeated noted not its sense.

She rose, and on the very brink defined,

Against the sky in silhouette outlined,

Erect before the Water-Demon stood.

Again those accents weird her wonder stirred,

And this is what the listening maiden heard:

“Thy fate, Winona, hangs on thine own choice

To scorn or heed the Water-Demon’s voice.

Gone are thy pleasant days of maidenhood,

And evil hours draw nigh, but knowest thou not,

That what thou fleest is the common lot

Of all thy sisters? Thou must be the bride

Of one thou lovest not, must toil for him,

Watch for his coming, and endure his whim;

Must share his tent, and lying at his side

Weep for another till thine eyes grow dim.

And he, so fondly loved, will pass thee by

Indifferent with cold averted eye;

E’en he, whose wanton hands and hated arms

Have crushed the fair flower of thy maidenhood,

Will weary of thy swiftly fading charms,

And seek another when thy beauty wanes.

Aha, thou shudderest; in thy tense veins,

Fierce and rebellious, leaps the mingling blood

Of countless warriors, high of soul and brave;

And would’st thou quench their spirit ’neath the wave?

Is Gray Cloud’s life more dear to thee than thine?

The village sleeps, unguarded is his tent,

Thy knife is keen, and unto thee is lent

A spell to-night of potency malign.

Cradled in blissful dreams alone he lies,

And he shall stray so deep in sleep’s dominions,

He would not waken though the rushing pinions

Of his own Thunder-Bird should shake the sky.

All freedom-loving spirits are with thee,

Strike hard and fear not as thou would’st be free;

Lest thine own hatred prove too weak a charm,

The Water-Demon’s hate shall nerve thine arm.”

The Water-Demon sank and disappeared,

And faint and fainter fell those accents weird,

Until the air was silent as the grave,

Still as December’s crystal seal the wave.

Homeward again Winona took her way.

How changed in one short hour! no longer now

The song-birds singing at her heart, but there

A thousand gnashing furies made their lair,

And urged her on; her nearest pathway lay

Over a little hill, and on its brow

A group of trees, whereof each blackened bough

Bore up to heaven as if in protest mute

Its clustering load of ghostly charnel fruit,[13]

The swaddled forms of all the village dead—

Maid, lusty warrior, and toothless hag,

The infant and the conjurer with his bag,

Peacefully rotting in their airy bed.

As on a battle plain she saw them lie,

Fouling the fairness of the moonlit sky;

And heavily there flapped above her head,

Some floating drapery or tress of hair,

Loading with pestilential breath the air

That fanned her temples, or the reeking wing

Of unclean bird obscenely hovering;

And something crossed her path that halting nigh,

At the intruder glared with evil eye,—

She hardly heeded passing swiftly by.

Leaving behind that hideous umbrage fast,

What wraith escaping from its tenement,

Winona through the sleeping village passed,

And pausing not, to Gray Cloud’s tipi went,

Laid back the door, and with a stealthy tread,

Entered and softly crouched beside his head.

Her gaze that seemed to pierce his inmost thought,

Keen as the ready knife her hand had sought,

And through the open door the slant moonbeams

Smiting the sleeper’s face awaked him not.

He vaguely muttered in his wandering dreams

Of “medicine,” and of the Thunder-Bird.

As if to go, her knife she half returned;

Whether her woman’s heart with pity stirred,

Or superstitious awe, she slightly turned,

But gazing still, over his features came

The semblance of a smile, and his arms moved,

Clasping in rosy dreams some form beloved,

And his lips moved, and though no sound she heard,

She thought they shaped her name, and a red flame

Leaped to her brain, and through her vision passed;

A raging demon seized and filled her frame,

And like a lightning flash leaped forth her knife:

That cold keen heart-pang is his last of life;

The Water-Demon is avenged at last.

PART III.

She struck but once, no need hath lightning stroke

For second blow to rend the heart of oak,

Nor waited there to see how Gray Cloud died;

Her fury all in that fierce outburst spent,

As from a charnel cave she fled the tent;

The wolfish dog suspiciously outside

Sniffed at her moccasins but let her pass.

Her tipi soon she reached, distant no more

Than arrow from a warrior’s bowstring sent,

Paused but to wipe her knife upon the grass,

And found her usual couch upon the floor.

But not to sleep; she closed her eyes in vain,

Shutting away the moonlight from her view;

Darkness and moonlight wore the same dread hue,

Flooding the universe with crimson stain.

She clasped her bosom with her hands to still

The throbbing of her heart that seemed to fill

With tell-tale echoes all the air; an owl

The secret with unearthly shrieks confessed,

And Gray Cloud’s dog sent forth a doleful howl

At intervals; but worse than all the rest,

That dreadful drum still beating in her breast,

As furious war-drums in the scalp-dance beat

To the mad circling of delirious feet.

Early next morning, as the first faint rays

Of sunlight through the rustling lindens played,

Two children sent to seek the conjurer’s aid,

Gazed on the sight, with horror and amaze,

Of Gray Cloud’s lifeless body rolled in blood.

Fast through the village spread the news, and stirred

With mingled fear and wonder all who heard.

The oracles were baffled and dismayed,

And spoke with muffled tones and looks of dread:

“Some envious foeman lurking in the wood,

With medicine more strong than his,” they said,

“Stole in last night and gave the fatal wound.”

The warriors scoured the country miles around,

Seeking for sign or trail, but naught they found:

The murderer left behind no clue or trace

More than a vampire’s flight through darkling space.

The Raven with a stoic calmness heard

Of Gray Cloud’s death, nor showed by look or word

The wrath that to its depth his being stirred.

Winona heard the news with false surprise,

As if just roused from sleep she rubbed her eyes;

When she arose her knees like aspens shook,

But this she quelled and forced a tranquil look

To feign the calmness that her soul forsook.

And when the mourning wail rose on the air,

Winona’s voice was heard commingling there.

She gathered with the other maidens where,

On a rude bier, the conjurer’s body lay

Adorned and decked in funeral array.

She flung a handful of her sable hair,

And wept such tears above the painted clay[14]

As weeps a youthful widow, only heir,

Over the coffin of a millionaire.

Moons waxed to fulness and to sickles waned.

The gossips still conversed with bated breath.

The appalling mystery of Gray Cloud’s death,

Wrapped in impenetrable gloom, remained

A blighting shadow o’er the village spread.

But youthful spirits are invincible,

Nor fear nor superstition long can quell

The bubbling flow of that perennial well;

And so the youths and maidens soon regained

The wonted gayety that late had fled.

All save Winona, in whose face and mien,

Unto the careless eye, no change was seen;

But one that noted might sometimes espy

A furtive fear that shot across her eye,

As in a forest, ’thwart some bit of blue,

Darts a rare bird that shuns the hunter’s view.

Her laugh, though gay, a subtle change confessed,

And in her attitude a vague unrest

Betrayed a world of feelings unexprest.

A shade less light her footsteps in the dance,

And sometimes now the Raven’s curious glance

Her soul with terrors new and strange oppressed.

Grief shared is lighter, none had she to share

Burdens that grew almost too great to bear,

For Redstar sometimes seemed to look askance,

And sought, they said, to win another breast.

Winona feigned to laugh, but in her heart

The rumor rankled like a poisoned dart.

Sometimes she almost thought the Raven guessed

The guilty secrets that her thoughts oppressed,

And sought, whene’er she could, to shun his sight.

Apart from human kind, still more and more,

The Raven dwelt, and human speech forbore.

And once upon a wild tempestuous night,

When all the demons of the earth and air

Like raging furies were embattled there,

She, peering fearfully, amid the swarm

Flitting athwart the flashes of the storm,

By fitful gleams beheld the Raven’s form.

To her he spoke not since the fateful night

His chosen comrade passed from human sight,

Save only once, forgetting he was by

And half forgetting too her cares and woes,

Unto her lips some idle jest arose.

“Winona,” said the Raven, in a tone

Of stern reproof that on the instant froze

All thought of mirth, and when she met his eye,

As by a serpent’s charm it fixed her own;

The hate and anger of a soul intense

Were all compressed in that remorseless glance,

The coldly cruel meaning of whose sense

Smote down the shield of her false innocence.

She strove to wrest her eye from his in vain,

Held by that gaze ophidian like a bird,

As in a trance she neither breathed nor stirred.

And gazing thus an icy little lance,

Smaller than quill from wing of humming-bird,

Shot from his eyes, and a keen stinging pain

Sped through the open windows of her brain.

Her senses failed, she sank upon the ground,

And darkness veiled her eyes; she never knew

How long this was, but when she slowly grew

Back from death’s counterfeit, and looked around,

So little change was there, that it might seem

The scene had been but a disordered dream.

The Raven sat in his accustomed place,

Smoking his solitary pipe; his face,

A gloomy mask that none might penetrate,

Betrayed no sign of anger, grief, or hate;

Absorbed so deep in thoughts that none might share,

He noted not Winona’s presence there;

From his disdainful lips the thin blue smoke

From time to time in little spirals broke,

Floating like languid sneers upon the air,

And settling round him in a veil of blue

So sinister to her disordered view,

That she arose and quickly stole away.

She shunned him more than ever from that day,

And never more unmoved could she behold

That countenance inscrutable and cold.

But Hope and Love, like Indian summer’s glow,

Gilding the prairies ere December’s snow,

Lit with a transient beam Winona’s eye.

The season for the Maidens’ Dance drew nigh,

And Redstar vowed, whatever might betide,

To claim her on the morrow as his bride.

What now to her was all the world beside?

The evil omens darkening all her sky,

Malicious sneers, her rival’s envious eye,

While her false lover lingered at her side,

All passed like thistle-down unheeded by.

The evening for the dance arrived at last;

An ancient crier through the village passed,

And summoned all the maidens to repair

To the appointed place, a greensward where,

Since last year unprofaned by human feet,

Rustled the prairie grass and flowers sweet.

None but the true and pure might enter there—

Maidens whose souls unspotted had been kept.

At set of sun the circle there was formed,

And thitherward the happy maidens swarmed.

The people gathered round to view the scene:

Old men in broidered robes that trailing swept,

And youths in all their finery arrayed,

Dotting like tropic birds the prairie green,

Their rival graces to the throng displayed.

Winona came the last, but as she stept

Into the mystic ring one word, “Beware!”

Rang out in such a tone of high command

That all was still, and every look was turned

To where the Raven stood; his stern eye burned,

And like a flower beneath that withering glare

She faded fast. No need that heavy hand

To lead Winona from the joyous band;

No need those shameful words that stained the air:

“Let not the sacred circle be defiled

By one who, all too easily beguiled,

Beneath her bosom bears a warrior’s child.”

Winona swiftly fleeing, as she passed,

One look upon her shrinking lover cast

That scared his coward heart for many a day,

Into the deepest woods she took her way.

The dance was soon resumed, and as she fled,

Like hollow laughter chasing overhead,

Pursued the music and the maidens’ song.

Just as she passed from sight an angry eye

Glared for a moment from the western sky,

And flung one quivering shaft of dazzling white,

With tenfold thunder-peal, adown the night.

Her mother followed her, and sought her long,

Calling and listening through the falling dew,

While fast and furious still the cadence grew

Of the gay dance, whose distant music fell,

Smiting the mother like a funeral knell.

High rode the sun in heaven next day before

The stricken mother found along the shore

The object of her unremitting quest.

The cooling wave whereon she lay at rest

Had stilled the tumult of Winona’s breast.

Along that shapely ruin’s plastic grace,

And in the parting of her braided hair,

The hopeless mother’s glances searching there

The Thunder-Bird’s mysterious mark might trace.

So died Winona, and let all beware,

For vengeance follows fast and will not spare,

Nor maid, nor warrior that dares offend

Who hath the cruel Thunder-Bird for friend.

FOOTNOTES

[1] Thunder-Bird, a supernatural winged creature which causes thunder and lightning by the flapping of its wings and the winking of its eyes.

[2] The name given by the Dakotas to the first-born, if a female.

[3] Tipi, skin tent.

[4] An edible root found on the prairies.

[5] The Crow Indians, hereditary foes of the Dakotas, call themselves Absaraka, which means crow in their language.

[6] Each Indian guest at a banquet carries with him his own wooden bowl and horn spoon.

[7] Many Indians believe in the transmigration of souls, and some of them profess to remember previous states of existence.

[8] A renowned chief formerly living on Lake Pepin.

[9] A supernatural monster inhabiting the larger rivers and lakes, and hereditary foe of the Thunder-Bird.

[10] The falls of St. Anthony.

[11] The name given to the first-born, if a male. Upon becoming a warrior or performing some notable feat, the youth is permitted to select another name.

[12] Hereditary foe of the Dakotas.

[13] The Dakotas formerly disposed of their dead by fastening them to the branches of trees, or to rude platforms. This is still practised to some extent.

[14] The Indians paint and adorn a body before sepulture.

MISCELLANEOUS POEMS

TO A YOUNG MAN.

Caress thy pleasures with a reverent touch,

Too soon at best their early fragrance flees.

Seek not to know, to see, or taste too much:

The sweetest, deepest cup hath still its lees;

The blushing grape is not too rudely pressed,

When gushes forth its richest and its best.

Bird, bubble, butterfly on light wing straying,

With changing tints of crimson, blue, and gold,

Upon warm waves of summer sunlight swaying,

When thy frail, flaming wing the boy shall hold,

Alas, how soon its fragile charms expire!

E’en so when strong men seize their soul’s desire.

Rend not with ruthless hand the lily’s bell,

To gather all its sweetness at a breath;

Spill not the pearl deep in its bosom’s cell,

The crystal gift Aurora’s tears bequeath.

So shall a delicate perfume be thine,

Through all the weary hours of day’s decline.

The gentlest spirits of the earth and air—

Sweet mysteries to ruder men unknown—

Will yield delights as delicate as rare,

The secret bowers of Love shall be thy own,

The one great bliss, so long thy hope’s despair,

Will press with eager feet to find thee there.

TELL ME, DEAR BIRD.

In the warm twilight where I mused, there came

A bird of unknown race with breast of flame.

Tell me, dear bird, O bird with breast of flame,

I conjure thee, e’en by his sacred name,

How may I lure and win Love to my side?

There is no lure for Love, in patience bide,

And if he cometh not await him still,

Love cometh only when and where he will.

But when he cometh, bird with breast of flame,

Teach me his roving feet to bind and tame.

Many have sought to bind him, but in vain;

He will not brook nor gold nor silken chain.

If he is caught, Love languishes and dies,

And ’tis not Love, if free to stay, he flies.

Tell me, dear bird, O bird with breast of flame,

When true Love comes, how may I know his name?

What are the golden words upon his tongue:

What message sweeter than a seraph’s song?

Love hath no shibboleth, and where are words

For the enraptured songs of summer birds?

Tell me, dear Love, O bird with breast of flame,

The deepest sense and meaning of thy name?

Two all-sufficing souls for woe or bliss,

But what they do, or what their converse is,

Love only knows; they walk where none may see,

Wrapped in the shades of a sweet mystery.

PERDITA.

Far away under Hesper,

In seas never crossed,

Like a faint-uttered whisper,

Forgotten and lost;

Where no sail ever flies

O’er the face of the deep,

A lost island lies

Forgotten, asleep.

An island reposes,

Distant and dim,

Where a cloud-veil of roses

Never uncloses,

Dreams and reposes

On the horizon’s rim.

An island arrayed

In such magical grace,

It would seem to be made

For some happier race.

Each valley and bower

Has a charm of its own;

A perfume each flower,

Elsewhere unknown;

A charm of such power

That once known to the heart,

If but for an hour,

It can never depart.

E’en the surges of ocean,

Ceasing their roar,

Their rage and commotion,

Sigh in on the shore

With a melody saintly,

As vespers that seem

Chanted so quaintly,

By sisters so saintly,

Mingling so faintly

With the voice of a dream.

One summer time olden,

That standeth alone

With its memories golden,

That isle was my own.

O island enchanted!

Where now does she rove—

The bright nymph that haunted

Thy fountain and grove,

While still at her side,

Whereever she strayed,

By the mountain or tide,

My footsteps were stayed?

Do her pulses still beat

To the pulses of yore?

Say, now, do her feet

Tread some pitiless shore,

Still hoping to meet

One who cometh no more?

O that summer! its ray

In my heart lingers yet,

Long after the day-

Star it came from has set.

My star of the night

And of morning was she,

My song-bird, my white-

Wingèd bark on the sea;

My rainbow, illuming

With beauty and light;

My rose-garden, blooming,

Sweetly perfuming

The hours of the night.

But at last, in its fleetness,

It seemed that each day

From the charm and the sweetness

Took something away,

Till the flowers all faded

From summer’s bright crown,

The skies were o’ershadowed,

The forests were brown.

In the voices of morning

There crept a new tone,

A faint whispered warning

From regions unknown,

And over each heart

Stole a mystical fear

That our joy would depart

With the flight of the year.

A pale, cold, new-comer

Had entered our isle,

From a land beyond summer

And sunshine and smile,

Subduing us quite,

Though we saw not his face,

As winter gives blight

When it cometh apace.

Her glances and mine

Sought each other no more,

Each fearing some sign

Not seen there before.

Yet no word was revealing

Misgiving or chill;

Each sought for concealing

The deathly, congealing

Foreboding of ill.

But at last came a night

When our last song was sung,

And like children in fright

Together we clung.

No farewell was spoken,

Our voices were dumb,

But we knew without token

That parting was come.

In the darkness that bound us

A night-bird did sing,

And the black air around us

Was moved by his wing,

As in vulture waves sweeping

He sped from the shore,

And away from my keeping

My Day-star he tore.

STANZAS TO ⸺.

Bitter bewailing

Sweet Life’s sad failing

Is unavailing

Your prayers or mine.

Years onward sweeping

Bring blight for reaping,

For laughter weeping,

Wormwood for wine.

The old sweet vision

Comes to derision

The dream Elysian

That once was ours.

The rushing river

Mocks our endeavor,

And soon will sever

My bark from yours.

One joy shall bide me

Whate’er betide me,

This still shall guide me

Till life shall fleet;

Though friends forsake me,

Fate rudely shake me,

And Time shall break me

Beneath his feet,

No power above me

From this can move me—

My Queen did love me!

One golden day

Her proud heart found me,

Her arms were around me,

Her red lips crowned me

A King for aye.

O rapturous meeting!

Thy passionate greeting

Was the high beating

Of a young soul,

For one full yearning,

Hour spurning,

The fetters burning

Of Fate’s control.

The chilling power

Of rank and dower

That sacred hour

Soon overcast,

And from our faces

Swept the faint traces

Of those embraces,

The first and last.

She may recover,

When days are over,

Some happier lover,

Forsaking me.

I, e’en though hated,

Am consecrated;

More meanly mated

Can never be.

Let new flames redden

Where light loves deaden,

Let pulses leaden

Leap forth anew;

But on this altar

Till breath shall falter,

Though all else alter,

Nought shall renew.

LOVE’S TRIBUTES.

O that I might inspire my song with power

To crown thy brows with more than queenly dower;

To pour on thee a more than golden shower,

And fill thy soul with sunshine every hour.

Time breaks at last the lyre’s sweetest strings,

And palls the sweetest note the minstrel sings,

And riches fly away on falcon wings:

Love only to his trust unchanging clings.

Then be my song of whatsoe’er degree,

And gifts however bright and fair to see,

Rare trophies peril won by land and sea,

Yet Love his own chief offering must be.

All that the flower of Love may yield is thine,

From blushing bud to clusters on the vine,

With colors rich as rubies from the mine,

And odors mounting to the soul like wine.

But all, I know, is paltry in thine eyes,

So far above them all thy worth doth rise.

In vain my muse with feeble pinions tries

To reach the regions where thy merit lies.

Still o’er Love’s treasures hold thy sovereign sway;

Taste them or spill them, keep or cast away;

By night or daytime, hasten or delay,

Trample them, cull them, go thine own sweet way.

THE LITTLE SHEPHERDESS.

PASTORELLE.

Little lamb, I pray O come to me,

None to caress and love have I but thee.

Why art thou not some tender shepherd swain,

Then loving thee would ease my weary pain.

My sister Susan, she is fair and tall,

And she may choose among the shepherds all,

And she is called sweet names—my dear, my pet;

Ah me! I’m brown, and I’m too little yet.

Then stepping forth from a concealing shade,

A youth beyond compare approached the maid,

And, whisp’ring softly in her startled ear,

She heard the tender words, “My pet, my dear.”

She blushing stood, confused with downcast eyes,

But heart and face were filled with glad surprise;

And happier far than Susan tall and fair,

The little nut-brown maiden trembling there.

A FAREWELL.

’Tis true that once I sighed for

That tender heart of thine;

I thought I could have died for

The bliss I now decline.

Too many swains enchanted,

Since then within that heart,

Have had sweet shelter granted

For me to claim a part.

Farewell, dear one, thy sorrow,

Thy tears are all in vain;

That tender heart to-morrow

Will find some newer swain.

Thou hast no necromancy

To restore the passing sway,

Of what was but the fancy

Of an idle summer day.

TO A FICKLE FAIR ONE.

Some birds mate three times in a year,

And I have called thee oft my bird.

I knew not even shame and fear

Could bind thee long; take my last word,

Good-bye, sweet bird.

TO THE SAME.

Constancy and the Phœnix, birds that dwell

In the bright realms of song, happy his fate

Who elsewhere meets with one, for, mark it well,

Sooner or later he will find its mate.

THE PALACE OF REPOSE.

Helpless we start before the break of day,

And grope along an unknown path our way,

Or follow leaders blind, and many fall;

But on we press, heedless and joyous all,

As happy fledglings fluttering in the brake,

That nothing reck of prowling fox or snake.

When over us at last the daylight dawns,

We bear the marks of many cruel thorns;

But brightly on the far horizon gleams

(Of more than earthly grace the vision seems)

The Palace of Repose, that rears on high

Its golden domes against the western sky,

While warm and tender as a poet’s dreams,

The restful radiance from each tower that streams.

Now through the early morning air we fly,

As the young shepherd sped with beaming eye

Fast fixed upon the rose-born butterfly.

Toward flowery vales and hills our pathway leads,

But when we reach them all their beauty fades.

Hills that were fairer, ere their paths were won,

Than the long slopes of fountained Helicon,

Are marred by poisonous weeds and flinty stone;

And forms that seemed, against the distant skies,

Winging their snowy way to Paradise,

Are birds unclean, whose wings are like a breath

From some great charnel-house in lands of death.

And shifting sands beneath our feet are spread,

And pitfalls numberless beset our way,

Where noisome reptiles fill us with dismay;

On either side lie, fathomless and dim,

Wide plains where wander phantoms stark and grim.

Noon comes; the goal no nearer, on we haste,

Nor note the lengthening shadows of the past.

Luring us on we hear the far, faint moan

Of music, weird and sweet as Memnon’s tone,

Heard in the desert by the traveller lone;

Bewildering as the sounds the shepherds erst

Heard in the vales of Thessaly, when first

Apollo’s wondrous music on them burst.

Of all that started with us, hand in hand,

Only a few are left, a dwindling band.

With haggard faces fixed upon the goal,

E’en as the needle to the steadfast pole,

Swifter and swifter, till the evening air

Sings like a serpent through our back-blown hair.

But lo, the night has come,

The sun goes down,

His trailing robes with crimson glories crown

The palace we had almost deemed was ours.

Dearer than ever seem those fading towers,

Whose oriel windows gleam like soul-lit eyes

For one bright moment ere thick darkness lies

On earth and sky, then trembling, faint, and sore,

Closing our pathway, lo, we find a door,

The entrance to a narrow house that still

Blocks up the way of every human will.

Wander where’er we may, this self-same goal

Is reached at last by every weary soul.

Our burdens fall unheeded, and our gains,—

This is the end of all our toil and pains.

Over the threshold hangs a shrunken lute,

Upon a tree where grows nor flower nor fruit;

Bewildering odors fill the heavy air,

The nightshade and the wolf’s-bane mingle there;

The faint perfume of rose and lily, too,

Is swallowed up by asphodel and rue.

We enter in, behold, a lowly bed,

How sweet the poppied perfume o’er it shed,

Where the red poppy swings its censer head.

There sleep shall seize and bind us, sleep supreme,

That knows no waking morn, no troubled dream.

The years shall swiftly cover us from sight,

In silence and insuperable night.

MOODS.

My wayward youth had drained the cup of Life,

Wasting its treasures in the fitful strife,

The mad revolt of a rebellious soul,

That beats the stubborn bars of Fate’s control.

My foolish heart whispered, there is no God,

And if there is, let cravens fear his rod:

Be thy own god, slake thy imperious thirst

Where’er thou wilt, no fountain is accurst.

Many strange paths my restless feet had sought,

Not all ignoble, but to each I brought

The turbulence of will that grasps at all,

And, failing, breaks itself against the wall.

Too late I knew my impotence at last,

When the bright glow of youth was overpast.

Worn out, exhausted by the weary route

That leads from knowledge to disgust and doubt,

Defeat, deceit, and baffled purpose stole

Like a corroding canker to my soul.

I hated Life, scorned and despised my kind,

So far astray may err the unbridled mind.

I had been nigh to death; the sullen wave

Already my consenting feet did lave,

When one who thought to be my friend, and fain

Had done me kindness, plucked me back again.

They said my reason wandered, and had found

A peaceful nook remote from sight or sound

Of busy men; there by the moonlit sea

On a soft couch I lay, where over me

Through the low lattice the sea odors crept,

And from the landward side about me swept

Soft languid waves of amorous perfume,

Of pollen-dust, of bursting bud and bloom.

Wrecked by the storm of life, and cast aside

Like drift rejected by the loathing tide,

Vacant of heart and thought I lay; the air

That wooed my cheek and gently stirred my hair,

Laden with yearning voices of the spring,

Awoke in me no answering tone or string.

From the deep shadows of the sleeping wood

A baleful night-bird swept the solitude;

The shuddering moonlight like a living thing

Shrank from the touch of his defiling wing;

And fiercely following like an eager pack

Of wingèd hounds upon his lurid track,

Lewd mocking spirits filled the thickening air,

Swarming as to a charnel banquet there.

Close at my ear burst forth a piercing yell,

As if each ghoul and fiend from nether hell

Had burst its bonds, and joined that chorus fell;

My quivering veins and nerves to frenzy stung,

In discord jangled like a harp unstrung.

Suddenly at my heart a quick sharp pluck,

As ’twere some foot of small fierce bird had struck

And griped me sore; then after some short space

The keen pain seized me in another place;

I felt myself clasped in a rude embrace,

And o’er my body spread swift fleeting pangs,

Sickening and deadly as a serpent’s fangs.

Quivering in every limb then I was ’ware

Of a strange woman bending o’er me there,

With ashen hair, that in the moonlight pale

Rippled about her shoulders like a veil;

In her cold eyes that pierced me through and through,

There dimly lurked a look that once I knew.

Her face was bloodless, as of one that’s dead,

But oh! her little mouth, how rosy red,

Beset with glittering little fangs that bled,

Fresh from the cruel feast whereon they fed.

Cold was her bosom, and her clammy arms—

No ruddy current warmed those shapely charms.

The air grew stifling, and upon my ear

Fell strident whispers chilling me with fear.

“Dost thou not know my face? in my close kiss

Lingers no essence of the olden bliss?

Doth not my breath revive the ancient fire,

And fill the shrunken veins of dead desire?

I am the child of all thy joys; ere Death

Swallowed them up each left with me some breath,

Some drop of blood, some accent, or some look,

A token from each fleeting hour I took;

In me thy vanished raptures all unite

The perfect fruit of all thy past delight.

Long have I sought thee, now that thou art found,

Now that my limbs about thee have been wound,

And that my lips have fed upon thy face,

Nothing shall tear thee more from my embrace;

Dearer thou art to me than all that dwell

In the wide triple realms, Earth, Heaven and Hell.

Thou art my fruitful vineyard, and my well,

My gilded mountain top, and flowery dell

Whereon my lips shall pasture all the night,

Vanishing only with the morning light.

For in thy arms the olden joys I taste,

And round us swarm the spectres of the past;

The ruddy light still in their hollow eyes

Lingers that shone upon our revelries

In gay Lisboa’s palaces of pride,

When every mask and cheek was flung aside,

Virtue was mocked, and God and man defied.

“And youthful joys far from Lisboa’s town

Through some green byway of the years float down;

Over fair Lusitania’s hills and plains

Again we wander free from sinful stains;

Though viewed through mist of tears, the earliest scenes

Are brightest still whatever intervenes.

The leafy songs that thrill the listening wood,

And answering birds that make sweet interlude,

The sylvan lakes illuminated by

The rainbows arching all our summer sky,

And swans that drift along the shore at rest—

A string of pearls upon a swelling breast.”

Ranging amid the garden groves of youth,

The luring voice grew softer, till in sooth

Like pulsing of a moonlight lute it fell,

Lulling my senses with a rhythmic spell.

I know not if I slumbered, but anon

Those odious limbs about my own were thrown;

I started up with thick and laboring breath,

And sickening loathing almost unto death;

“O Christ!” I cried, lo, at that sacred name

The foul shape vanished, and instead one came

Clad in soft light as from an inner flame,

And held an ebon cross whereon there bled

A great white Christ, with loving arms outspread.

Singing afar a tender voice I heard,

Faintly the accents fell, “Flee as a bird.”

Then, as the spring-tides yearning to the moon,

Flood the dry hollows where we walked at noon,

E’en so the tidal-wave of feeling rose,

And memories wakened from their long repose,

And rushing back through many a dusty year

Left me again a reverent child at prayer.

Again the simple worshippers I saw

Kneeling in fervent prayer; I heard with awe

Once more the shameful tale recounted o’er:

The buffets and revilings that He bore,

The crown of thorns, the wormwood, and the gall,

And our foul sins more bitter than them all,

Filling the cup that our vile hands have pressed

To the pure lips of our expiring Christ.

Gazing upon the Saviour’s agony,

Through my dark soul a cleansing current swept,

And tears of humble penitence I wept.

Softly I wept at first, then gathering force,

Burst forth a storm of passionate remorse,

Till my frail couch shook like an autumn leaf

In the tempestuous torrent of my grief.

Stretching my trembling hands, “O Christ!” I cried,

“Would that with thee I might be crucified,

So I might share thy love. O let me find

Some sure retreat remote from all my kind,

Far from the voice of priest or minister,

Where reigns the silence of the sepulchre;

To some far rocky island let me flee,

Piercing the bosom of an unknown sea,

There let me live in sweet converse with thee.

Or in some Theban desert, too remote

E’en for the sound of Memnon’s warning note,

Or ’mid the rocks on Sinai’s shaking brow,

Where the fierce fires of God’s anger glow;

Or buried in some clammy convent cell,

No matter where, dear Lord, so I may dwell

Apart from all the universe but thee;

So that my name may perish utterly

From memory of man; so that no sound

Of human voice or footstep may resound

Through the deep portals of my solitude.

There let me purge my sins with penance rude,

The scourge, the midnight vigil, and the fast,

Until I know thee, face to face at last.”

How weak are all this life’s most tempting joys,

Love, wealth, ambition, transitory toys,

To those that flood the lonely anchorite

In the rapt moments of his soul’s delight.

The sweetest words of Jesus are not found

In Holy Writ; who in his grace abound,

Forsaking all the world to bear his cross,

Counting all human love and honor dross;

Who wears the thorny crown upon his head,

And loveth better than his daily bread

The scourge, the iron chain, the stony bed,

Worn out with vigils, spent with sighs and tears,

Jesus perchance may whisper in his ears,

Sweeter than music of the choral spheres,

The unwritten words that soothed the Magdalene.

Perchance on Jesus’ bosom he may lean,

A deeper sense than language can impart

Lies in the throbbing of that wondrous heart.

The moon went down, the night grew dark and dense,

The aspiration of my soul intense

Took real form and garb, or so it seemed,

And bore me on to all that I had dreamed.

Into the narrow dungeon where I lay

The Saviour came, and gently put away

My scourging hand; his smile ineffable

With more than earthly radiance lit my cell—

Sweeter than wanton couch had ever known,

The rapture Jesus bringeth to his own.

Naked and prone upon the dungeon stone,

His love suffused me with a rosy glow.

His words of grace and pardon, murmured low,

Thrilled me and filled my spirit’s pulsing vein,

Till like a ship impatient for the main

Her snowy wings tugged at the anchor chain.

I slept profoundly; when I woke, the sun

Already more than half his course had run.

Light willing feet were moving round my couch,

And gentle hands with ministering touch.

They brought me dainties, and their cheerful words,

The hum of honey-bees, the voice of birds,

The grand old forest’s potent influence

Subdued and mingled with my every sense,

And moved my being to accord and tune

With all the leafy harmonies of June,

As if some conscious hand beneficent

A hideous nightmare pall had from me rent.

I wandered out alone beneath the trees

And in a tempting spot reclined at ease,

My head in the cool shade, and at my feet

Streaming the amber sunlight’s genial heat.

My spirits rose, and quickening pulses beat,

Surprised to find that living still was sweet.

The tree-tops o’er me seemed to melt away—

Green islets floating on an azure bay;

And I in fancy floated with them, too,

Drifting forever down the ether blue.

Half dreaming thus, so quietly I lay

The forest denizens resumed their play;

But furtively, as though they feared to break

The spell that brooded in the air, or wake

Some discord slumbering in the solitude.

A bird sang nigh me, but with voice subdued;

The mossy oaks like kingly graybeards stood,

And stretched inviting arms; the aspens wooed

With myriad beckoning leaves, and each slant beam,

Flung from the flying sun-god’s hand, did seem

A rosy finger-tip that coyly pointed

To some deep trysting-place by wood-nymphs haunted.

Long vistas led away mysteriously,

So tempting that I almost thought to see

Arch faces from the nearer branches peeping,

And clumsy satyrs in the distance leaping.

The nymph, the satyr, and the bounding fawn

That filled the groves of Thessaly are gone.

The merry train that circled Oberon

Trip it no more upon the moonlit lawn.

But let them pass nor mourn the solitude:

Far sweeter than the whole fantastic brood

Is one weak, loving woman’s human form.

A woman’s voice, low, tremulous, and warm,

Hath a more potent spell to lull the charm

Than Orphean lute, or siren’s song, where passed

The wave-worn mariner lashed to his mast.

Two doves thrust out their small heads timidly

From the low branches of a neighboring tree,

Looking askance, and peering through the green,

Like foolish lovers fearing to be seen,

Then, reassured, resumed their blissful play.

I smiled to see them, thinking of a day,

Just such another day as this, last year,

When with a damsel I had wandered here,

Amid these very vistas, and I thought

Of a deep vine-clad arbor we had sought.

Our words, our looks, our tender dalliance, all,

Like birds of passage at the swallow’s call,

Came trooping back, on light wings fluttering,

And through me swept the quickening breath of spring.

Seen through the shimmering aspen leaves afar

A fair face twinkled on me like a star,

And rustle of bright garments drawing nigh

Fluttered my heart with strange expectancy.

* * * * *

And soon two happy lovers wandered far,

And tarried till the rising of the evening star.

TO ⸺.

Her heart is a flower that long hath slept

Where clammy night-dews o’er it wept,

But now to love and rapture wakes

As the flushing glory of morning breaks,

And the heavy tears that chilled it so

Pure diamonds all in the sunshine glow.

Her hair is a sea of golden waves

Love’s beauteous temple wall that laves,

Rippling o’er two rosy shells

Wherein the soul of music dwells,

To break in hyacinthine curl

Caressing the base of purest pearl.

Her eyes, twin mountain pools that lie

Reflecting back the summer sky,

A fringe of graceful poplars there

Sway softly in the amorous air.

Oh! he who fathoms those wondrous eyes

Will see the joys of Paradise.

A crimson little rose her mouth

Exhales the memories of the South;

And when its petals gently move,

Breathing some tender word of love,

No angel’s voice at gates of bliss

Hath promise to compare with this.

Her brow a page of vellum fair,

’Twere vain to seek for tracery there;

Pure as Mount Athos, yet I know

Beneath that alabaster brow

One tender secret, guarded well,

Stirs sweetly in its guarded cell.

* * * * *

How many hundred hearts have beat

To the faint music of her feet;

What yearning eyes devour the grass

That ripples where her footsteps pass,

Beneath her kirtle’s airy sweep,

Like moonbeams glancing o’er the deep.

A snowy miracle of grace

Her circling arms, for whose embrace

Hyperion’s self might vainly sigh.

Oh! if within those arms to lie

To happy mortal e’er were given,

How tame were all the joys of heaven.

Sheltered by those endearing charms

From my own spirit’s dark alarms,

Endymion were not half so blest

Fainting upon his Phœbe’s breast.

TO ⸺.

Revolving years another May-day bring;

Earth at this bridal season’s glad return

Blooms forth again in bridal robes of spring,

Expectant, waiting, trembling, all things yearn.

Cries then aloud the voice I thought was slain,

Calls as of yore my stormy deep to thine;

Answer is mute, I hear no voice but mine.

TO THE SAME.

Rarer and dearer seen through smiles or tears,

Each day thy well-remembered face appears,

Beaming through all the clouds and mists of years.

Enfolding thee in dreams, my yearning kisses

Cling to that face till all our perished blisses

Come back like phantoms dear that re-awaken,

And haste to greet their loved ones long forsaken.

TO THE SAME.

Right gladly would I twine a wreath of flowers,

Each morn for thee from dewy garden bowers;

But when I cull them, lo! they turn at view,

E’en in my hands, to nightshade and to rue;

Circling, beloved one, thy temples rare,

Catching the halo of thy golden hair,

Again they glow, roses and lilies there.

TRANSLATIONS AND IMITATIONS

IF MY VERSES HAD WINGS LIKE A BIRD.

AFTER VICTOR HUGO.

If my verses had wings like a bird,

To thy garden of perfume and light

They would flutter with timid delight,

If my verses had wings like a bird.

If my verses, like fairies, had wings,

To thy fireside at eve they would fly,

To sparkle and gleam in thine eye,

If my verses, like fairies, had wings.

Pure pinions around and above,

All day would rustle and gleam,

They would whisper at night to thy dream,

If my verses were wingèd like Love.

’TWIXT SLEEP AND WAKING.

AFTER THE FRENCH OF PROSPER BLANCHEMAIN.

Lying alone last night, ’twixt sleep and waking,

My cruel mistress passed, with queenly tread,

With smile of cold disdain, and haughty head,

And scornful eyes, whereat my heart was breaking;

The vision was so true in all its seeming,

I scarcely could believe that I was dreaming.

But when she came, and o’er me lowly bending,

Upon me rained the kisses of her mouth,

Laden with all the perfume of the South,

Murmuring the while of blisses never ending,

And in her eyes I saw the love-light gleaming,—

Ah! then I knew that I was only dreaming.

WHITE SWAN SAILING.

FROM THE RUSSIAN.

White swan, sailing all the day,

Peering in the wave below

As thou sailest proud and slow,

Round and round, and to and fro,

Seekest thou another, say?

Seest thou, in vaults below,

Through the wave inscrutable,

Joy of heaven or woe of hell?

Cruel swan, why mock me so?

Scornful sailing to and fro,

Answering not my questionings,

While above thy snowy breast

Rises haughty neck and crest.

Sure, beneath thy folded wings,

Knowledge lies of many things—

Secrets that I long to know.

Voices of the hollow wave,

Whispering as from a grave,

Murmur to thy listening ear

Secrets that I fain would hear.

Lo, I see another crest

Mirrored in the wave below,

And a bosom white as snow

Sails majestical and slow,

Unto thine ’tis closely pressed;

Face to face and breast to breast,

Two white swans majestic go

Round and round and to and fro.

Peering through the hollow wave

As into an open grave,

Lo, I see another there;

Find the face and form of one,

Thought of whom I fain would shun

More than all beneath the sun;

Find a face already where

Time’s inexorable touch

Leaveth traces overmuch,

And steely fingers soon will tear,

Rending cruel furrows there.

Peering through the hollow wave,

Wistfully as in a grave,

Could I see another breast

As it was in Long Ago

(Or perhaps I dreamed it so),

Where my own might hope to rest;

Not of mine the counterpart,

But a bosom white as snow,

Proud, but tender, pressed to mine,

As thy double unto thine;

Would the rapture slay me, say?

Swelling, welling from my heart,

Soul and body rend apart?

Would the rapture slay me? nay,

Such a death were sweeter bliss

Than I find in life like this.

THE ROSES OF SAADI.

AFTER THE FRENCH OF DESBORDES-VALMORE.

As I passed through the Valley of Roses to-day

I gathered the fairest and sweetest for thee,

But my robes were so full that the knots burst away,

And all my sweet roses fell into the sea.

A wave slowly bore them away from my sight,

Flaming forth like a cloud-billow rosy and red;

But on me you may breathe all their fragrance to-night,

For my bosom is sweet with the odors they shed.

ROSE-BUDS.

AFTER THE FRENCH OF BÉRANGER.

O timid rose-buds, why delay your bloom,

The frost of Time is chill upon my hair;

Unclose your petals, shed your sweet perfume,

Like vesper incense on the evening air.

Gladden my withered heart while yet you may,

A rock is hid beneath each glowing wave;

The ardent sun, wooing your lips to-day,

To-morrow’s noon may mock your poet’s grave.

And rose-buds, ere their time may pass away;

The worm is there, an envious wind may blight;

How many rose-buds have I seen decay,

While thistles flaunt their colors in the light.

I pluck nor buds, nor full-blown roses now,

Your tender charms from me have naught to fear;

No rosy wreath awaits this wrinkled brow,

Let regal youth the crown and sceptre bear.

Weary of strife, of cold, vain theorems,

Of counting spots upon the sun’s fair face,

Would that a bed beneath your friendly stems

Were hollowed for my final resting-place.

When the Great Reaper comes, let me be found

Among the roses, fresh and pure as truth;

Their perfume shed above me and around,

Whispering my failing heart of Love and Youth.

O timid rose-buds, why delay your bloom,

The frost of Time is chill upon my hair;

Unclose your petals, shed your sweet perfume

Like vesper incense on the evening air.

THE BIRD I WAIT FOR.

AFTER THE FRENCH OF MOREAU.

Dead, buried suns of former years arise,

And flowers bloom I thought had died last spring;

The birds that fled last fall our wintry skies

People again the woods on joyous wing;

At dawn soft rustling pinions waken me,

And swallows darken window-pane and door;

Breathless I listen, gazing wistfully,

Alas, the bird I wait for comes no more.

A high ambition swept my pulses through;

Gazing one day upon the eagle’s flight,

I pierced with him the heaven’s o’erarching blue,

And beat my pinions at the gates of light.

To-day the bird of Jove alone defies

The sun-god’s burning glance, the tempest’s roar;

I watch his flight unmoved, with listless eyes,

The bird I fondly wait for comes no more.

The lark pours forth his liquid flood of song,

Seeking the secret covert where love lies,

Wherein to weave a palace for his young;

He sings his song, he loves his love and dies,

His sweet small soul with his own music thrilled.

O mocking warbler, cease the song to pour,

Of Love victorious, fierce desire fulfilled,

The bird I fondly wait for comes no more.

The martin hovers o’er the slumbering bay,

Deep mirrored in the blue abyss he lies,

Now swiftly whirls and darts in idle play,

Now rocked as in a poet’s reveries.

O happy friend, follow thy fantasy,

Dream on the wave, wanton along the shore,

The bird I fondly wait for comes no more.

Arrive at last, O messenger from heaven,

Black envoy, bearing in thy beak of yore

The bread to famishing Elijah given.

Has God for me no portion I implore?

It soon will be too late, the shadows press,

And night-birds gather round my darkening door.

Dead with the prophet in the wilderness,

Alas, the bird I wait for comes no more.

VISIONS.

FROM THE FRENCH OF ALFRED DE MUSSET.

One midnight when I was a wayward child,

I read by stealth a romance weird and wild;

My veins were tingling and my cheeks aflame,

When suddenly before my vision came

Two sad dark eyes appealing wistfully,

A child in sable garb who looked like me.

A child so like to me in form and face,

It seemed a mirror standing in the place.

He cast on me one long and earnest look,

Then bent with me o’er the forbidden book.

A smile mysterious he wore, but never spoke,

And vanished from me as the daylight broke.

The years sped by; one dreamy autumn day

The eager chase had led me far astray;

Fantastic shadows thronged the solitude

Of the deep mountain forest where I stood,

And there appeared beneath a spreading tree,

A wanderer dressed in black, who looked like me.

He held a quaint old lute and a fresh spray

Of eglantine; I gently asked my way.

He answered me no word, but took with pride

A path straight up the towering mountain side.

His parting glance fell on me with a thrill

Of meaning so intense it haunts me still.

Another year sped by; one night outside

The room wherein my sainted mother died

I stood alone, and friendless with my grief—

Youth’s crushing grief that hopes not for relief,—

I oped the door, lo, there on bended knee

An orphan dressed in black who looked like me.

Kneeling before the sacred ashes there

He seemed a radiant angel in despair.

His face was bathed in tears, his head was crowned

With thorns, his lute was flung upon the ground,

And o’er his sable garments flowed a tide

Of crimson from the sword that pierced his side.

Since then in every crisis I have known,

Whether in busy town or desert lone,

Angel or demon, whichsoe’er it be,

That sable apparition comes to me.

I never hear his voice, he stands apart,

Yet like a brother twines about my heart.

Now, all my idols burned in civil strife,

Willing to love or re-create my life,

My feet, self-exiled from their natal strand,

Gather the dust of many a foreign land;

A labyrinthine maze I vainly grope,

Seeking the faint, vague vestige of a hope.

Still in those moments when life’s pulses go

Surging almost to fatal overflow,

When the blind, fettered spirit seems at last

Ready its fetters and its scales to cast,

Before my vision comes, on land or sea,

A wanderer, dressed in black, who looks like me.

THE FISHERMAN’S BRIDAL.

AFTER DELAVIGNE.

The sea is high, the night is dark,

Sweet son, O why unmoor thy bark

Before the morning?

On such a night as this last year,

I fain had kept thy brother here;

O heed the warning.

But the fisherman smiling

Bounded from shore,

His labor beguiling,

Bending the oar,

Singing, she loveth me,

No fear I know,

No wave appalleth me,

Loving her so.

With white wing cleft the inky sky,

A sea-bird with a plaintive cry,

Saddening the air:

The nest I built with so much toil,

This night became the tempest’s spoil;

Beware, beware!

Still the fisherman smiling,

Bending the oar,

The darkness beguiling,

Sang as before:

My Nanna calleth me,

No fear I know,

No wave appalleth me,

Loving her so.

Faintly arose a sad appeal,

Blent with the storm by which his keel

Was rudely driven.

O brother, ere thy knell shall toll,

Pray for thy elder brother’s soul,

Who died unshriven.

But the message unheeded

Its warning bore,

As onward he speeded,

Bending the oar,

Murmuring, she calleth me,

No fear I know,

No wave appalleth me,

Loving her so.

Weary at dawn he reached the strand,

But lo, there passed a mourning band;

For whom? he cried.

For whom, O fishermen, that bell

That strikes upon my heart its knell?

’Tis for thy bride.

Then as if on the shore,

Stricken down by a dart,

Deep darkness came o’er

Him, chilling his heart,

Whispering, she calleth me,

No fear I know,

No wave appalleth me,

Loving her so.

YOU HAD MY WHOLE HEART.

FROM THE FRENCH OF DESBORDES VALMORE.

You had my whole heart,

I thought I had thine,

No beguiling or art,

A heart for a heart.

Your heart is returned,

But alas! where is mine?

Your heart is returned,

But mine you have spurned.

The leaf and the bloom

And the fruit of the same,

Leaf, color, and bloom,

Sweet flower and perfume.

Oh, what hast thou done?

My sovereign supreme,

Oh, what hast thou done?

Beneath the fair sun.

An orphan bereft

Of mother and home,

An orphan bereft,

With my grief I am left.

Deserted, alone,

Through the cold world to roam,

Deserted, alone,

But heaven hears my moan.

One day you will muse,

Broken-hearted and old,

One day you will muse

On the love you refuse.

You will seek me one day

But you shall not behold;

You will call me one day,

I shall not obey.

You will come to my door

With penitent head,

A friend, as of yore,

You will knock at my door.

It will coldly be said,

She is gone, she is dead;

Her spirit has fled,

Will coldly be said.

ART.

FROM THE FRENCH OF THÉOPHILE GAUTIER.

Yes, art with grievous pangs is born

From Nature’s most endearing molds;

The child is torn,

Not wooed, from fierce rebellious folds.

Slay not thy art by false constraint,

Yet know her rules are stern as Fate;

Without complaint

The muse should wear a buskin strait.

Would’st have thy verse endure, thy muse

The common facile forms must shun,

The slipshod shoes

In which so many feet have run.

Sculptor, beware the plastic clay,

Changing at every whim’s command

From day to day,

And marred by every careless hand.

Strive with the marbles pure of Greece,

Wrested from Paros’ snowy mines,

Smite, and release

The deep-imprisoned god-like lines.

The chisel of Praxiteles

Such peerless beauty had not known,

If art in Greece

Had deigned to use a meaner stone.

Let the fierce molten metal fuse

Heroic forms and high contours

Of Syracuse;

Nought but the matchless bronze endures.

Upon the agate’s flinty face

Apollo’s features high and pure

In profile trace,

With touches delicate and sure.

Beware of water and pastel,

Deep on fantastic vase and urn

Thy colors frail

In seven-fold heated furnace burn.

Fashion the writhing, maddening limb

Of nymph and goddess; bring once more

The monsters grim,

Dear to the blazonry of yore.

The virgin mother saintly mild,

Crowned with her nimbus; on her breast

The wondrous child,

The globe beneath the cross of Christ.

Crowns fall and sceptres pass, robust

And radiant art outlives them all.

Torso and bust

Survive the city’s triple wall.

The medal by the ploughman found

Reveals the countenance austere,

The temples crowned,

That filled the antique world with fear.

Even the gods wax old and pass

From high Olympus; verse alone,

Stronger than brass,

Preserves to fallen Zeus his throne.

The graver guide with care supreme,

The chisel smite, fix like a rock

Thy floating dream

Deep in the stem resisting block.

Tongues and religions die, while art,

Poised in the lofty realms of thought,

Serene, apart,

Exults in sempiternal youth.

BARCAROLLE.

FROM THE SAME.

O sun-bright maiden, choose and say,

Whither shall we two sail to-day?

The rose’s breath is on the gale

That softly moves our silken sail;

Our masts of gleaming ivory

Are strung like harps with yellow hair,

That make Æolian music there;

A seraph shall our pilot be.

O sun-bright maiden, choose and say,

Whither shall we two sail to-day?

Our pinnace lifts her snowy wing

And flutters like a living thing;

And from the shore the morning wind

Toys with our awning’s purple fold;

Our rudder is of beaten gold

And leaves a rosy track behind.

O sun-bright maiden, choose and say,

Whither shall we two sail to-day?

Our hold with love-apples is stored,

And all strange fruits, a goodly hoard;

A wingèd boy sits at the prow,

Pointing our path with beaming eye

And smile of deepest mystery;

A wreath of myrtle crowns his brow.

O sun-bright maiden, choose and say,

Whither in Love’s realm shall we stray?

Say, shall we seek some storied isle,

Where warm Ægean waters smile?

Or shall I see the Arctic sun

A flood of crimson glories shed

At midnight on that golden head,

Or sail to seas where pearls are won?

O sun-bright maiden, choose and say

Whither shall we two sail to-day?

Follow the track of Heracles—

Seeking the far Hesperides;

Or where the South Sea flower expands,

Float idly in the moonlight wan;

Or sail beneath the rainbow’s span—

Bright gateway to Love’s golden lands?

O sun-bright maiden, choose and say,

There is no one to say thee nay.

O seek, she saith, that faithful shore

Where loving hearts will change no more.

Alas, my sails for many a year

Have sped through all Love’s wide domain,

Seeking that blessed shore in vain:

That land is still unknown, my dear.

SHADOWS.

FROM THE SAME.

Be still, my heart, keep silence, O my soul,

Thy fierce rebellious transports are in vain,

Oblivion’s turbid wave must o’er thee roll.

Cease the faint pulsing of the weary brain,

Fold up the remnant of thy wings at last,

And rot, beneath the inexorable chain.

Soon shalt thou be with refuse vile outcast,

Flung down the bottomless abyss that still

Yawns to the future from the darkling past.

Thy hopes are dead, broken thy lofty will,

Thy name and memory will be blotted out

Before the rattling clods thy grave refill.

No marble shaft for thee the heavens will flout,

Nor tear-drenched willow shed her graceful spray,

No lying epitaph the truth will scout,

No choir will chant, no man of God will pray,

No tears will silver the funereal pall—

Dark cloud that hides thy shame from light of day.

The felled tree strangely moves his comrades tall,

Waking the echoes of the mountain side,

But not a leaf will quiver at thy fall.

Like the mute convoy of the suicide,

Thou shalt wind down through night to find thy doom:

Thy ashes shall be scattered far and wide.

No circling rings shall break the sullen gloom

Of the dark pool that closes o’er thy head,

No widowed soul shall hover o’er thy tomb.

For the chaste secrets which thy soul hath wed,

With thee the pit shall bury them from view,

Fathoms below the deepest deep-sea lead.

Our Mother, Nature, hath her favorites too,

Like any other dame, spoiled children they;

Unwelcome waif, why should they share with you?

Upon them fall the myrtle and the bay,

E’en in the desert they would find at need

Enchanted palaces along their way.

Though for the morrow’s morn they take no heed,

Yet through their fingers filter golden sands,

And at a generous breast they freely feed.

Kneading a withered breast with famished hands

Their outcast brethren pine, or seek in vain

Some kinder bosom in relentless lands.

And if for them upon the desert plain

Illusive gardens rise, and fountains play,

They vanish like the rainbow after rain.

Or if by chance a sunbeam gone astray

Glints through the gloom that shrouds them evermore,

A chilling cloud obscures th’ unwonted ray.

The wisest plans but mock their hopes the more,

Bringing them to derision and dismay:

The sea engulfs them though they hug the shore.

The tree shall crush them, hollow with decay,

Whose grateful shade invites them to draw nigh:

The heart they lean on wins them to betray.

A turtle drops upon them from the sky;

The tower that has braved a thousand years

Falls without warning just as they pass by.

The friend who shared their youthful smiles and tears

Accuses them of treason to the crown,

Sending them to the rack with blows and jeers.

Born on the Danube, in the Seine they drown;

Poor fools, why fly so far to find the fate

That like a slimy monster sucks them down?

Why strive with Fate? no jot will he abate;

Even the brawny knees of Hercules

Must bend or break before him soon or late.

They drain a bitter cup with poisonous lees,

A life ignoble and a death of shame,

And in some potter’s field they find surcease;

Or, dying nobly, leave behind no name,

While, mounting on their bones, some brazen cheat

Reaches the very pinnacle of Fame.

Destiny mocks them from her lofty seat,

Dipping their sponge in vinegar and gall:

Want grinds them in the dust with iron feet.

Hard by the accursed sea whose waves appal,

A scape-goat lone, beneath the wingless skies,

They wander where the ashen apples fall.

Night takes for them a thousand baleful eyes,

Piercing at once their deepest hiding-place:

Straight to their heart each poisoned arrow flies.

Thrust out of camp, the scape-goat of their race,

Abhorred they live, and dead, the loathing earth

Vomits their phantom from the burial-place.

Such is thy history, O my soul, from birth;

Dark pages with decaying odors rife,

A maze of treachery, and pain, and dearth.

Yet ’tis the story of a vulgar life;

No title casts a glamour o’er its woes,

No footlights gild its unromantic strife.

Across the web the flying shuttle goes,

Weaving with common threads a homely plot,

Yet dark and sinister the pattern shows.

Why woo so long a world that loves thee not?

O soul, whence long have perished hope and faith,

Why cling to life, when death is all thy lot?

Sweeter than bridal bed the couch of death,

More restful far than sleep; the asphodel

Is sweeter than the crimson poppy’s breath.

King, queen, and harlot, priest and infidel,

Heaped up at random peacefully they rest,

Commingling in one mighty urn pell-mell.

Despairing brother, whose fast chilling breast

Nor love, nor wine may warm, descend with me,

And burst the shadowy gates an eager guest.

Abase thy head, and bend thy stubborn knee;

And like a Scythian chief in triumph led,

Welcome the agony that sets thee free.

One short, fierce agony, and all is said;

Beneath the coffin lid, sealed once for all,

Compose thy limbs as in a royal bed.

Swift as the fleeting shadow on the wall

Thy feeble footprints fall along the sand,

Nor voice, nor echo will thy song recall.

In the Corinthian brass thy feeble hand

Can write no name; thy chisel cannot bite

The marbles of Carrara pure and grand.

He who would climb Fame’s towering mountain height

Must have a double gift, a genius rare:

Unto a happy star he must unite.

Poet, alas! and lover, brethren are;

Twins of the soul, each hath his cherished dream,

Some saint ideal, worshipped from afar;

Some fount of youth, some pure Pactolian stream,

Some orb that beams with strange unearthly ray,

Some flaming vision potent to redeem.

The fount is dry, the vision fades away;

The mystic light that led them through the night

Dies in a marsh, and leaves them far astray.

O God, to tread but once by morning light

The alabaster palace of our dreams,

Counting its colonnades with waking sight;

To greet the lovely images that gleam

Athwart the gardens of our revery,

And drink the waters of its mystic stream;

To make the plunge, piercing triumphantly

The crystal vault, bring back the golden vase

Long buried with the treasures of the sea.

’Twere fine to feel the thrill of flight through space,

Adown the far empyrean to float,

Or track the eagle in his headlong chase.

To find the deed outstrip the noble thought,

To find fit words to mate our passion’s cry,

And pour the tide with its full burden fraught.

Sailing through unknown seas, to catch the sigh

Of mighty rivers, and through night’s eclipse

See new worlds heaving upward to the sky;

To feel upon the flower of our lips

The regal kiss that sometimes hovers there;

To find the glen wherein the rainbow dips;

To stop the wheel of fortune in the air;

To see before us on the glowing page

The wavering thoughts our midnight musings bear.

Such lots, alas, in this decrepit age

Are rare; Polycrates might wear his ring,

Nor fear to rouse the avenging goddess’ rage.

Seeking the upper chambers where we cling,

The cruel wave mounts upward step by step,

Mingling its murmur with our revelling,

Till slimy phocas, shapes that banish sleep,

Gnash foully at our very bedsides there,

Belched from the bowels of the nether deep.

The church is dark, the altar cold and bare,

And rending from their brows the aureole,

The saints blaspheming die in their despair.

The sun senescent, near his final goal,

Casts from his bloodshot eye one baleful glare,

Ere yet the heavens vanish like a scroll.

Each living thing shall perish foul or fair,

The flood will top the tallest mountain chain,

For vengeance cometh on and will not spare.

For twenty days and nights through wind and rain,

The raven’s midnight wing, cleaving the waste,

Seeks for a haven where to rest in vain.

Headlong she falls, famished and spent at last,

And as the widening circles mark the flood,

All Earth is but a tomb whence life has passed.

A common sepulchre for bad and good,

Upon this wave no ark of safety rides,

Bitter with tears and red with human blood.

No second patriarch his vessel guides,

A hive of life; a swelling fountain head,

To burst upon Ararat’s rugged sides.

Atlas has fallen! hark, O hark! o’erhead

The crack of doom, the supports of the world

Are snapped like reeds beneath Behemoth’s tread.

Our Mother Earth, by storms of chaos whirled,

Reels like a drunken harlot down through space,

By wanton buffets from her orbit hurled.

Unto the lips of an expiring race

The Son holds up the cup of human woes;

The Father sees with coldly sneering face.

When will our crucifixion cease? still flows

The ruddy current from our open side,

And red drops cluster on our pallid brows.

Enough of tears and blood; O turn aside

The poisoned chalice; doth not this suffice?

That Thy dear Son upon the cross has died?

He died for naught; man still must pay the price

Unless a newer Christ rise from the dead:

The Pontiff asks a fresher sacrifice.

For nigh two thousand years the Lamb hath bled;

His empty veins leave not the faintest stain

Upon the priestly knife that gleams o’erhead.

Messiah cometh not, we watch in vain;

The veil is rent, broken the altar stone,

The worshippers are slain, the church o’erthrown.

SONNET: OU VONT ILS?

FROM THE FRENCH OF SULLY PRUDHOMME.

To what strange land gather the slain of Love?

Heaven were no world for them, it hath no bliss

To match the raptures that they knew in this;

No summer night, no dark secluded grove,

Or deep ravine with sheltering boughs above;

Nor can the foul fiends of the dread abyss

So rend a soul as the fierce agonies

Of Love’s disdain, the doubts and fears thereof.

Tame were the joys of the bright sphere above

To which the saints so ardently aspire,

And vain the anguish of eternal fire

To him who knows the martyrdom of Love.

For souls consumed and dead there is no room

In heaven or hell: oblivion is their doom.

THE GAY CASHIER.

ADAPTED FROM THE FRENCH.

Two gallant burglars, who for many a day

Had laid their plans, at last had made their way

Into a bank upon a stormy night;

Then with what fond, what rapturous delight

Unto the vault they flew to seize the swag!

O cruel joke, there was no swag at all:

That night the gay cashier, a heartless wag,

With all the funds had skipped for Montreal.

THE RAVAGES OF TIME.

SCARRON.

The monuments of human pride and power,

Engulfed by ocean wave or desert sand,

And crushed by time’s inexorable hand,

Built for eternity, last but an hour.

Where are the hanging gardens and the towers

Of Babylon? the marbles tall and grand

That stood like gods on the Ægean strand?

Fallen and crumbled. So shall crumble ours.

Time slays or withers all on which we dote;

His swift, remorseless touches ne’er relent,

Destroying marble, mortar, and cement.

Then why should I repine because my coat

Is threadbare on the seams with three years’ wear,

Out at the elbows, and beyond repair?

HALLUCINATION.

FROM THE FRENCH.

I.

Last night, or did I dream? my lady led

Me to a wall I oft had passed before,

And opened there a curious secret door

Made by some cunning workmen ages dead.

We entered furtively, and as our tread

Resounded on the long untrodden floor,

Back swung the portal with a clanging roar.

Fleeing like startled children on we sped,

And found an inner chamber, where was spread

A board with gold and crystal, and a store

Of fruits and flowers from every unknown shore,

And curious flasks, whose contents gleaming red

A ruddy radiance o’er my lady shed,

And flung fantastic flames upon the floor.

II.

Bathed in the amber of an unseen flame,

A royal couch with silken curtains fair

Gleamed like a jewel in the alcove there;

A dreamy languor stole through all my frame,

Sweet beyond power of language to declare;

A breath of perfume moved the swooning air,

Stirring the golden ringlets of my dame;

And while we faltered, lo, a small voice came:

“O happy pair, with rosy forms aglow,

Here lie within the temple’s deep alcove

Sweet mysteries that I pant to have you know;

Wine that hath stained the trampling feet of Love,

And fruit that ripened in the sacred grove:

Break every seal, and let the purple flow.”

III.

I turned to seek my lady’s eyes, when lo!

The vision vanished, and I stood alone

Without the temple walls, whose cold gray stone

Mocked my endeavor, rising row on row.

I called my lady’s name, fearful and low.

No answer, save the hoot-owl’s jeering tone,

And the pale mocking moon that coldly shone.

Now, sadly round the temple walls I go,

Whose deepest mysteries I thought to know.

I thought its inmost chamber mine; fond fool,

I only stood within some vestibule,

Where all men’s feet may wander to and fro,

And saw, reflected from some mirror there,

My own imaginings too warm and fair.

IV.

IN THE GROVE.

Once more the huntress clad in silvery mail

Seeks her Endymion, over hill and glade;

Once more the hour so dear to youth and maid—

The hour that all Love’s guardian spirits hail.

Wrapped in the moonlight like a lucent veil,

Is it for me, young priestess, that, arrayed

Still in thy vestal robes, thy feet have strayed

So far from where the sacred fires pale?

Last night within the temple’s dim alcove

I durst not lift my conscious eyes to thine.

Lo, now thy lips and eyes have sought for mine,

And round my neck thy sheltering arms entwine,

While our commingling footsteps freely rove

Through all the mysteries of the silent grove.

TO MY CRITICS.

IMITATED FROM DE MUSSET.

My verse contains some images, ’tis true,

On Byron’s pages found, what then, he too

On other pages found them long before,

(Byron, I think, would hardly grudge them me,

Seeing I need them so much worse than he).

Read carefully the old Italian lore,

If you, to draw it very mild, would see

How freely Byron borrowed; he or she

As stupid as a school teacher must be

Who thinks in eighteen hundred eighty-four

To find a thought or rhyme not used before.

And yet I must not speak of “waters blue,”

Of “sunny skies,” and “eyes of heavenly hue,”

Nor use some old stock metaphor at need

Because, forsooth, pedantic fools may read,

The same in every language,—Sanscrit, Greek,

Hebrew and Latin, Dutch and Arabic.

Great bards of yore, and they of yesterday,

Before whose sun my rushlight pales away,

To whose deep flood, my song is but a rill,—

All, great and small, hear the same chorus still.

Read the old rotting magazines and see

The very venom that they void on me;

The arsenal where roving malice meets

The rusty darts that stung the heart of Keats.

Vile innuendo, and malignant sneer,

Blanche, Tray, and Sweetheart, hardly changed are here.

The lowest place amid the minstrel throng

Is all I claim; in the full tide of song

My voice is lost; upon my page appears

No burning message from supernal spheres.

But Teian glow and Lesbian passion still

A thousand lyres in every land they thrill.

A chord once found belongs, the whole world through,

To every minstrel that can strike it true.

My verses rhyme (at least some of them do),

And sweet as ever in our ear there chimes

The melody of old recurrent rhymes.

Dove ever mates with love, and bliss with kiss,

In every song from Sappho’s day to this.

THE YOUTH AND THE OLD MAN.

FLORIAN.

“Old man,” said an ambitious youth one day

“Show me the path to wealth and fame, I pray.”

Answering not, the old man mused awhile,

His thin lips wreathing with a cynic smile,

Then spoke: “Is fame thy wish? With earnest zeal

Devote thyself to serve the commonweal;

To her give all thy talents and thy time,

The flush of youth, and vigorous manhood’s prime;

And should the foeman come with deadly strife,

In her defence be swift to lose thy life,

Perchance with ‘failure’ branded on thy heart.

The road to wealth is surer; seek the mart,

Where cunning money-changers lie in wait,

Casting their nets with watered stocks for bait.

Or join the nobler throng, whose argosies

Bear on white wings across the distant seas

The honest——” “Hold, old man, I’ll none of these;

With intrigue and deceit I would not soil

My soul, and yet I shrink from sordid toil.”

Again the old man mused in silence while

Around his mouth hovered a cynic smile,

Then answered thus: “Why, simply be a fool,

And win both fame and wealth, in spite of rule.”

THE CATHEDRAL BELL AND ITS RIVAL.

IRIARTE.

In a renowned cathedral hung a bell,

The pride of all the country far and near;

A bell whose deep vibrations never fell

Save on the greatest church-days of the year.

Then for some moments brief the air was thrilled

By some deep strokes with solemn pause between;

The heart devout with pious awe was filled,

And sinners felt repentance swift and keen.

Within a neighboring hamlet poor and small,

With crumbling belfry tottering to its fall,

There stood a paltry chapel low and mean;

A cracked and rusty cow-bell hung therein,

Harsh and discordant, but the sexton sly,

Only upon the solemn days and high,

Six times a year at most, its voice awoke,

Like the cathedral bell with solemn stroke.

This strange reserve, in parish bells unknown,

Gave to the wretched bell a high renown.

Its jangling equalled to the rustic’s ear

The tones majestic of its grand compeer.

Pretentious, owl-like silence oft supplies

The lack of wit in those accounted wise.

“Be swift to listen and be slow to speak,”

If a high name for wisdom you would seek.

BLUE EYES AND BLACK EYES.

IMITATED FROM ANDALUSIAN COPLAS.

I.

Two miracles are thy blue eyes,

Haughty or tender;

Robbing our Andalusian skies

Of half their splendor.

Celestial eyes of heaven’s own hue,

Twin thrones of glory,

Whose glances every day subdue

New territory.

Blue were the waters and the skies

Of happy Eden;

And blue should be a Christian’s eyes,

Matron or maiden.

By heaven those peerless orbs of blue

To thee were given,

And all the mischief that they do

Is known in heaven.

I thought thy blue eyes beacons fair,—

O treacherous seeming;

O treacherous waves of golden hair,

That wrecked my dreaming!

Two saints the blue eyes seemed to me

That wrought my ruin:

Who would have thought that saints could be

A soul’s undoing?

II.

Black eyes are truer still, I ween,

Than any other:

Dark were the eyes of Eden’s Queen,

And Mary Mother.

The holy ones of sacred lore

All dark are painted,

Inspired prophetess of yore

And maiden sainted.

Blue eyes are cold as polished steel,

For all their splendor;

While thine a lambent flame reveal,

So warm and tender.

Dearer thine olive hue, and eyes

Of raven blackness,

Than all the azure of the skies,

And lily’s whiteness.

Thine eyebrows are a Moorish grove,

Whence issuing fleetly

Two wingèd archers lightly rove,

Wounding so sweetly.

But when their victims bleeding lie

Faintly appealing,

Two tender blackamoors draw nigh

With balm of healing.

COMPLAINT TO THE VIRGIN.

FROM A CUBAN POETESS.

Mother ineffable, whose radiant brow

The stars have crowned,

O’er all earth’s daughters chosen, thou

The sinless found;

Of Adam’s fallen race, the first and last

Untouched by strife,

Whose beauteous feet unstained and pure have passed

The snares of life.

The angelic heralds at those spotless feet

Once bent the knee,

And now adore at the effulgent seat

Eternally.

A gift too pure and bright for earthly bloom,

Flower of the sky;

The odors of whose matchless grace perfume

The courts on high.

Look down in pity from thy lofty throne,

Through realms of light,

To where thy sorrowing sister walks alone

In deepest night.

Oh, see the endless waves of anguish fierce

That o’er me roll!

Hast thou not bled? did not the sword once pierce

Thy tender soul?

Beating the breakers on the outer bar

My vessel lies;

For me there beams no friendly guiding-star,

No beacons rise.

Blest beacon seen in my despairing dreams,

Burst forth on me,

And light my stormy pathway with thy beams,

Star of the sea.

O baleful night, when some malignant blast,

Mocking and wild,

Into an orphan’s cradle rudely cast

A sleeping child!

Of careless childhood’s flowers and smiles and tears,

The tears were mine.

Alas! I gather in maturer years

No fruit or wine.

All night I bruise my failing wings in vain,

Seeking for rest—

A bird unmated on an arid plain

Without a nest.

I roam a timid stranger on the earth—

A foreign land—

Bewildered by the light, the joy and mirth

On every hand.

A vine-clad mountain to the beaming skies

That lifts its crest,

While an abyss of untold horror lies

Beneath its breast.

Some loving souls at birth are consecrated

To pain and grief;

Through gloomy vales they stray, unknown, unmated,

Without relief.

I seek no longer these sad mysteries

To penetrate;

I must not murmur at the high decrees

That fix my fate.

They say that God regards with pitying eye

The poor and weak,

Smiting the haughty head, and passing by

The low and meek.

No daring oak, whose branches, heaven defying,

Pierce the blue sky;

A blighted leaf before the tempest flying,

A reed am I.

A poor blind pilgrim through the wilderness

Groping my way,

Striving with agonizing tears to press

From night to day.

A heart whence all illusions long have perished

Seeks not for bliss.

I ask not human love, O Mother cherished,

I ask but this:

A lowly shelter far from tongues maligning

And bitter sneers;

There let me pray and quench all fierce repining

With grateful tears.

And some glad morning through my cloister swelling,

A golden portal

May burst, and flood with rosy light my dwelling,

And joys immortal.

THE CRUCIFIXION.

OLD FRENCH SONNET.

While Jesus suffered for the human race

Upon the tree, death came and found him there.

Transfixed with shame, at first he did not dare

To look upon his sovereign’s awful face.

But Jesus, full of majesty and grace,

Meekly bowed down his head, august and fair,

Veiling the glory that it used to wear,

And waves of darkness fell upon the place.

Then shuddering Death his shameful task fulfilled;

Earth to her centre rocked as though the day

Of doom were come; the veil was rent away—

All Nature moaned and quivered, horror-filled.

The very stones were softened, thou alone,

Vile scoffing sinner, took a heart of stone.

FROM THE SPANISH.

Unhappy he who buys

The toys that Cupid offers;

For each delight he proffers

Some dear illusion dies.

Sell not thy dearest treasures

For his too fleeting pleasures.

THE BOOK OF LIFE.

LAMARTINE.

Each soul the Book of Life must read and prove—

Fate turns the leaves whether we will or no.

We cannot linger o’er the lines we love,

Or hasten o’er the dreary lines of woe.

We have not read the page of Love aright

When, lo! the page of Death appalls our sight.

MEMORIAL DAY, AND OTHER POEMS.

DEDICATED TO THE G. A. R.

TWENTY YEARS AGO.

WRITTEN FOR MEMORIAL DAY IN 1885.

For twenty years the snowy wings of Peace

Over the land have brooded; flocks increase

Upon the fields, now blessed by smiling stars,

Where drave the reeking chariot-wheels of Mars.

How like a falcon’s flight the years have flown,

Since Appomattox rang the curtain down;

And listening to my voice are tall young men,

And women fair who were but children then.

Our young Republic, freed from all his chains,

For peaceful conquest girds his lusty reins.

The smiling Mississippi to the sea

Rolls as in days of old, unvexed and free,

And East and West in one grand commonweal

Are bound by triple bands of shining steel.

The apple tree historic rots away;

Our gunboats all have crumbled to decay;

The rifle-pits that scarred the Southern plains

Are washed away by twenty winters’ rains;

The impetuous onset of the bayonet line

Tramples no more the growing corn and vine,

And nesting birds pour forth their raptures where

The thunder-bolts of battle rent the air.

But still remain in many hearts we know

The ghastly scars of twenty years ago.

How many a comrade’s widow treads alone

A narrow path by cruel thorns o’ergrown!

’Tis long since song of mating bird has thrilled

That lonely heart, with tender memories filled,—

Memories still speeding backward to the time

When, brave and beautiful in manhood’s prime,

Her bridegroom more than twenty years ago

Sprang at the bugle call to meet the foe.

Strong men for other women dig the gold,

Tread out the wine, and weave the silken fold;

Her wine of Life in forests dark and dank

The thirsty soil of Mississippi drank;

Her daily lot for more than twenty years

Has been the widow’s toil, and widow’s tears.

Comrades, we’re growing old; upon our hairs

Gather the frosts of more than twenty years,

Since in the trench at Petersburg we lay,

Or, gayly holding our triumphal way,

Unto the sea we swept with Sherman’s pennon,

Or heard the roar of Stonewall Jackson’s cannon,

Waking the echoes of the Rapidan,

Or through the valley whirled with Sheridan.

Still surges up as though of yesterday

The memory of those that passed away;

Still floating down the vista of the years,

We hear their voices, see their smiles and tears.

In each successive strife how fast they fell—

The tried companions that we knew so well.

Some, fleeing from the ghastly prison pen,

By bloodhounds tracked were slain in swamp and fen;

Some ashes mingle with the sounding tide,

And some enrich the rugged mountain side,

Where the tall pines of frowning Kenesaw

Quivered like reeds before the blast of war;

Now looming up in shadowy ranks they stand

Like guardian phantoms brooding o’er the land.

No higher impulse thrilled the knights of old

Who to the crusades like a torrent rolled,

To pour for the dear cross their blood like wine

Upon the plains of Holy Palestine,

And feed on desert sands in the far East

The jackals ravening for their glorious feast.

They reck not where their scattered ashes rest

Who speed to the reunion of the blest;

As eaglets soaring to the gates of light

Spurn the dull shells that long confined their flight.

For you the amaranthine wreath we twine,

Raise the high song, and pour the ruddy wine;

For you the rhythmic beat of martial feet,

As the long lines go swaying down the street;

For you the plaintive reed’s subduing moan

Commingles with the hautboy’s rapturous tone,

The rolling drum, the thrilling trumpet blare,

And silken banners float upon the air

Like bright ethereal drapery trailing there.

The noblest sons of Earth, of every clime,

Welcome you to their galaxy sublime;

And flowers, by maidens fairer still than they,

Are offered to your sacred shades to-day;

Roses and dittany—and lilies fair,

Mingle their breath upon the vernal air;

But sweeter than the fleeting gifts we bring

Your memory perennial shall spring,

And loving tears each spring-time shall bedew

The flowers that loving hands shall here renew;

And younger bards, with truer touch than mine,

Will pour for you the flood of song divine,

While millions yet unborn, with quickening breath,

Will hear the tale heroic of your death.

O host of gallant comrades sweeping by,

Up the red track of glory to the sky—

Reynolds, McPherson, Dahlgren, Garesché,

And all the unknown names as brave as they,—

Great hearts and souls as those of song and story,

Whose only guerdon was a deathbed gory;

As youthful as of yore we see you now,

The flush of victory on each radiant brow,

And youthful in our withering hearts shall glow

Your generous valor in the Long Ago.

ABRAHAM LINCOLN.

Song, legend, history, I scan in vain;

Outside of Holy Writ, no shape appears

So godlike as thy homely form; the spheres

Darken and die, thy glory shall not wane.

Monarchs have sat self-crowned upon the Seine

And on the Tiber; nations sick with fears

Have builded altars to them, drenched with tears

And smoking with a hecatomb of slain.

O Christ of Freedom, no high altars fume

For thee, but freely flow the tears and blood,

The pure sweet blood of thy own martyrdom,

And tears of mingled grief and gratitude

From the dark millions by thy pen set free,

Led from their long Gethsemane by thee.

THE PRISONER’S DREAM.

On the last sad day of the dying year,

As I lay in my prison racked with pain,

I heard the voices of children clear

Swelling out on the night in a peaceful strain.

They sang a farewell to the dying year,

And the far faint tones of an organ fell

With a soothing cadence upon my ear,

And I slept at last in my loathsome cell.

My body slept with its clanking chain,

But the prison walls fled far away,

And my spirit, glad and free again,

Went forth as upon its bridal day.

I never had thought again to sing,

But a song welled forth from my joyous heart,

As waters gush from a long-sealed spring

When the chains of winter are rent apart.

“I’m coming, I’m coming, my dove, my dear;

In the heaven of thy arms, my own sweet wife,

I’ll usher the birth of the glad new year;

I’m coming, I’m coming, my love, my life!”

* * * * *

Hark! the clang of the changing sentry’s steel;

Awaken, O fool, from thy blissful bed;

On the stony floor of thy dungeon kneel,

And hug thy chain, for the dream is fled.

HOW OFT A SENTRY SAD AND LONE.

How oft, a sentry sad and lone,

The starry midnight host I’ve counted,

As up the eastern horizon

Into the sky they slowly mounted.

Two still seemed missing from their place,

The brightest of the heavenly number;

But now I find them in thy face,

Nightly they beam upon my slumber.

FROM COPLAS OF AN ANDALUSIAN SOLDIER.

If daring deeds might win thy vows,

At nothing would I falter;

I’d dare thy father’s beetling brows,

Or those of grim Gibraltar.

I’ll seek the thickest of the strife,

And lofty deeds of glory;

My girl shall be a General’s wife,

Or mourn a lover gory.

Light batteries on the fatal field,

Their countless victims strewing,

Are the bright eyes to which I yield

For quarter meekly suing.

Thy lips are silken banners, and

Beneath their crimson lustre,

In gleaming lines the soldiers stand,

Two ranks prepared for muster.

The girl that jilts a veteran bold

To marry a clodhopper,

Would throw away the finest gold

To pick up worthless copper.

FROM THE SAME.

The conscripts march, O cruel theft,

While those that are rejected,

The crooked and the lame, are left

To comfort maids dejected.

If swift promotion you would gain,

Yet shrink from war and slaughter,

The path is old and very plain—

Marry the General’s daughter.

THE GLORY OF A SPANISH DRAGOON.

FROM THE SAME.

My little Pepita

Will be jealous I know,

For I promised to meet her,

But how can I go?

I come off of guard,

And go on police;

My sergeant’s a hard

One, and gives me no peace.

There’s the devil to pay

At fatigue duty too;

Every hour of the day

There is something to do.

A soldier at work,

What a pitiful sight!

I’d desert to the Turk

In the very next fight,

But his way of baptizing

You all will agree,

Is quite too surprising,

It would never suit me.

But my sergeant is worse

Than a Turk or a Jew,

He finds something to curse

At, whatever I do.

At every roll-call,

If I’m not upon time,

Drill, stables, and all,

He counts it a crime;

He laughs at my story,

In the guard-house I’m thrown,—

And this is the glory

Of a Spanish dragoon.

WRITTEN FOR A REUNION OF VETERANS IN THE YEAR 1915.

Comrades, once more to-night we gather here,

A dwindling band of graybeards; autumn sere

Pales into winter, Indian summer’s glow

Fades from the hills, reluctant still to go;

And Earth itself fades from our sight away,

Like rosy clouds that flit at close of day;

In our hearts too the flame burns low at last,—

An arctic winter closes round us fast.

While the remaining grains, how few, alas!

Of golden sand, pour through the hour-glass,

Fill up, dear friends, your goblets once again,

And warm the pulses in each shrunken vein

With sunshine garnered on some Gallic plain,

Or stolen from the vine-clad hills of Spain.

Here’s to the living absent, comrades they

So gay in camp, so dauntless in the fray,

The lingering remnant of the mighty host

That swept from far Atlanta to the coast.

Since then their prows through every sea have foamed,

And o’er five continents their feet have roamed,

And plucked the brightest bays in fields afar,

Who glittered brightest in the van of war.

But fast and faster from our sight they fail,

A few belated stragglers feebly hail

Along the banks of Styx the boatman pale.

Where’er they are, once more we pledge them all,

Ere from the thinning ranks we too shall fall.

Lift high the cup, a generous current pour,

Libations to the chosen friends of yore,

Who wander on the dim Plutonian shore.

A mist arises from the wine-stained ground,

And lo, what phantom faces gather round!

Like storm-blown wreaths they flit—e’en so must we

Soon pass like vapors blown across the sea.

Now draw together, fling apart the doors

Of wit and fancy, open up the stores

Of feeling that have been repressed so long;

Waken the voice of melody and song,

These fleeting moments sweetly to prolong,

And kindling up once more the altar fire,

Let the last embers all in flame expire.

TWENTY-FIVE SONNETS

TO ⸺.

Dear lady, doth the singer’s voice in thee

Awake an answering chord? if not so, be

Barren the song and all devoid of worth,

Save to awaken idle scorn and mirth;

Thy soul, self-poised in cold tranquillity,

Will smile to think how foolish some may be.

But if thy bosom swell with tender sighs,

If the deep fountains of thy soul are stirred,

Meeting some dear but unexpected word;

If, answering mine, responsive pulses rise,

And thy lips tremble to the happy eyes

Suffused with pleasure at the glad surprise

Of verses all too cold for thy completeness,

Know thy own heart hath lent them all their sweetness.

POESY.

Before the human hand a stylus held,

Ere papyrus’ or parchment’s mute appeal,

Sweet songs were sung whose echoes charm us still;

From dying lips undying music welled.

Wedded to strains from chosen souls that swelled,

Were rescued from oblivion’s clammy seal,

Fantastic legend, laws of commonweal,

Heroic deeds in days of hoary eld.

Muse of the lyre and harp, till latest day

Thy voice shall bear along the shores of Time,

While kingdoms crumble, and while tongues decay,

The numbers of the ancient bards sublime.

Still thy anointed favorites hold their sway,

’Mid falling stars, and gods that pass away.

THE ROSE.

The flushing wave bloomed into wondrous flower,

And rosy light burst forth unknown till then,

When Aphrodite dawned on gods and men.

Thy birth, O Rose, was in that mystic hour.

Transcendent Rose, pride of the Paphian bower,

And sweet consoler of the thorny glen,

What virgin charms thy blush illumines when

Upon the virgin heart Love seals his power.

Fair as the lily was the Rose’s breast;

But when the generous vine upon it bled,

Swift blushes o’er its swelling beauties spread

Till every leaf the tender flame confessed,

While from thy wakened heart, O queenly Rose,

Ambrosial incense on the air arose.

TO A FAIR SANTA BARBARAN.

Why blooms the fairest flower ’neath rosy skies,

Where all is bloom and fragrance? why unfold

There, where the nectar that its petals hold

Among the orange groves neglected lies,

And all its perfume all unheeded dies!

And thou, dear maid, with wealth of love untold,

More precious far than mines of gems and gold,

Why linger ’mid these cloyed and listless eyes?

O with thy voice, and smile ineffable,

And eyes so meet for sympathetic tears,

Seek some sad land oppressed by grief and fears,

A bright consoling angel there to dwell;

Fly, ere thy robes are wet with honey dew,

And thy own sweetness cloys thee through and through.

LA DIVA.

A sea of faces ripple round her where,

As on a sunny isle, the Diva glows

Behind the footlights like a full-blown rose;

A hush expectant fills the brooding air.

But hist, O hist! what dying cygnet there?

How bubbling from her alabaster throat

Pours forth the wave of every passion’s note—

Hope, fear, love’s ecstasy, and blank despair?

A moment’s silence ere the plaudits rise,

Till like a storm they beat the trembling walls,

And white hands plash like wave-crests to the skies.

Alas! ’tis o’er, the jealous curtain falls;

And as the tumult of our rapture dies,

A misty curtain veils our happy eyes.

TO A HAPPY LOVER.

Flaunt not before the world thy happy love,

Like the poor fatuous one whose pleasure lies

Not in Love’s glance, but in the envious eyes

Of other fools; deep in the myrtle grove

Seek some untrodden way, shadowed above;

There, if Love will, his unknown harmonies,

His inmost heart and core, his tears and sighs,

And unimagined mysteries thou mayest prove.

But if thou find his choicest fruits and flowers,

Guard them from eyes profane with jealous care;

Love, proud but tender, brooks no sign-board there,

Pointing the pathway to his sacred bowers;

Himself the entrance, hidden and o’ergrown,

Unto his chosen favorites will make known.

METEMPSYCHOSIS.

I.

I was a huntsman in my youth, and knew

Each bird and beast that haunts the forest tall,

Or wings the air, hard by the water-fall.

Over the plain and up the mountain blue

My twanging bow was heard, my arrows flew.

My bowstring now is rent, my arrows all

Like spears that from the withered pine-cones fall,

Have from my shrunken quiver vanished too.

Yet sometimes o’er me steals the olden mood,

And wandering in the forest deep and dark,

I greet each old familiar tree and mark,

Each spot whereon the lovely quarry stood,

While faintly through my withered veins once more

Leaps the triumphant thrill I knew of yore.

II.

I shot an arrow through the wood one day

In idle sport, and following where it led,

I found a doe that I had raised and fed,

Stricken, and bleeding fast her life away,

Her tender fawn transfixed beside her lay;

One random shaft two happy lives had sped.

The dry leaves rustled to my startled tread,

And filled my fluttering heart with strange dismay;

For gazing in those failing eyes my soul

Found there another soul, its very twin;

Unseen for years, but bowered deep within

The heart’s alcove,—oh, lost beyond control!

Those murdered eyes still gaze as from a glass

Framed in with bloody leaves and trampled grass.

THREE SONNETS IN MEMORIAM.

I.

DESPAIR—THE ABYSS.

O dread abyss, narrow, but dark and deep,

Still baffling all that men may do or dare

To read the secrets of thy jealous care,

The mystery that thy shuddering caverns keep,

Over thy cruel mouth the earth I heap,

Hiding my treasure like a miser there.

My hollow doubting voice I lift in prayer;

With ghastly lips I say: “’Tis but a sleep,

And I shall find my loved one freed from sorrow,

Glowing with love, and youth ineffable.”

O fool, the only sure thing thou canst borrow

From coming years is death, thou knowest well.

Yet even this is gain; then hail each morrow

That brings thee nearer to the self-same cell.

II.

QUESTIONING.

Beneath the leafless trees alone I stand,

Where we two stood in June. O loved one, where

Are now the radiant hopes that filled the air,

Circling around us swiftly like a band

Of smiling sisters, clasping hand in hand?

Dearer to me than all their visions fair

This chill December night, so thou wert there.

And hast thou sought with them some better land?

Would heaven be darkened for one form the less

From the bright throng who in His love rejoice?

From the celestial choir could not one voice,

Sweeter than all the rest, be spared to bless

My solitude? Say, dost thou sleep alone,

Voiceless, beneath the unrelenting stone?

III.

CONSOLATION.

Alone? Ah, no: beneath the earth’s fair crust

Assemble all the beautiful and good

Whose memory transfigures womanhood;

And kingly men are there, the brave, the just;

How sweet to mingle with that sacred dust!

Standing to-night where we so oft have stood,

Their fragrance fills the silent solitude—

Sweet flowers of human love and hope and trust.

Where’er thou art, O sister of my soul,

Treading with gleaming feet the streets of gold,

Or softly mingling with the forest mold,

Swift years shall bear me to the self-same goal,

Our radiant heads in the same aureole,

Or the same flower-roots thrill our ashes cold.

IN MEMORY OF D. G. R.

Bathed in the morning sunlight thou didst stand,

The sisters nine in homage gathered round,

Son of Apollo, with his laurels crowned,

His lyre of lyres trembling in thy hand.

The brush and chisel at thy high command

Enchantment wrought, but sweeter far resounds

The music of thy verse, the soulful sounds

Flung from thy pen as from a magic wand.

Had all thy wondrous powers to song been given,

What floods of melody had filled the air—

Eros’ and Psyche’s voices mingling there.

Alas! the wine is spilled, the lyre is riven,

Stern Albion’s son, thy soft Italian name

Lives only in the Pantheon of Fame.

IN MEMORY OF JOHN BROWN OF OSSAWATTOMIE.

INSCRIBED TO JOHN J. INGALLS.

I.

A cloud for years o’erhung the border-land,

Black, ominous, wherein were dimly seen

Soul-terrifying shapes of beasts unclean,

And men uncleaner still, a hideous band,

Loathsome as reptiles from the slimy strand

Of vanished seas, in ages pliocene.

Prophets the portent read with vision keen,

But lying seers cried “Peace,” throughout the land,

’Tis but a cloud-bank changing with the wind,

And craven hearts draw their own pictures there,

And traitors sneered, and from the pulpit whined

Sleek hypocrites, blind leaders of the blind,

Buyers of souls, who gathered gold with care,

With gnashing and blaspheming filled the air.

II.

A soul flamed forth like a titanic brand,

Or fiery meteor through the murky sky,

Thrilled by electric arrows from on high;

And by swift wings of unseen seraphs fanned

The baleful clouds dispersed, as though a hand

Omnipotent had swept the firmament

And from its face the darkening veil had rent.

Vague shapes of fear, as by enchanter’s wand,

Were changed to forms substantial, and arose

The Nation’s foes, implacable and fierce.

The canting knave, who chapter gave and verse

To justify the trade in human woes,

Slunk with his broad phylacteries away,

And strong men armed them for the deadly fray.

III.

True greatness is the greatest in defeat.

A laurel wreath entwined about that head

Had but obscured the glory that it shed.

Unshaken in his high prophetic seat,

Beyond all crowns of vict’ry grand and great

In happier days, as when, illusions fled,

His fierce foes found him lying ’mid his dead,

Alike his spirit soared secure from Fate.

So, when the charging battle standards meet,

Gold fringe and silken fold are plucked away

As by the myriad beaks of birds of prey,

Still on the staff, high in his ancient seat,

The brazen eagle sits, serene, the same,

Pride of the legions o’er the battle’s flame.

OUR LOST ONES.

“Hélas! dans le cercueil ils tombent en poussière

Moins vite qu’en nos cœurs.”

—HUGO.

Brethren and sisters all, what do we here,

With song and laughter, while around us stand,

With dumb reproachful gaze, a shadowy band,

The mournful shades of all our lost ones dear?

O conquering power of the eternal years!

How swiftly fade away on every hand

Their memories throughout the joyous land,

For whom we thought to shed eternal tears.

Smiling above them wave the flowers and grass,

Where cold and still those cherished forms are strown,

Thickly as grain in the deep furrows sown,

Or sheaves in fields where merry reapers pass.

To dust they wither in our hearts, alas!

More swiftly than beneath the cruel stone.

THE OCEAN OF THE PAST.

My wistful eyes still sweep thy sullen breast,

Dead sea, whose waves, once, following stroke on stroke,

Have swallowed mast and sail and hull of oak.

Now all thy cruel billows are at rest;

Hushed is thy roar, and stilled each raging crest;

No phantom from thy mists may I evoke,

No more my prow or sail the waves provoke,

Where sleeps my happy island of the blest.

Lo, while I gaze, like the responsive swell

Of some great yearning heart, the billows rise,

Till, in wild tumult leaping to the skies,

They toss the beauteous wrecks I loved so well,

Resistless through the rending barriers roll

And sob through all the caverns of my soul.

EVIL DAYS.

O Youth, O Hope, O Love, all phantoms vain!

Ye lured me long with promise false as sweet,

But now your flight outstrips my faltering feet.

Dear traitors, will ye ne’er return again?

Love lingered last, but all have been too fleet.

Now sinks the light of day in tears and pain,

The glories of the night unheeded wane:

Summer is winter, truth is but deceit.

Shall I not find upon some vernal day,

Fruition for the buds that blighted here?

The golden hours of youth I cast away,

How I would hold those wasted treasures dear!

Still through the lonely chambers of my brain

No more, no more, echoes the sad refrain.

ENVY AND SLANDER.

TO N. A. M.

Envy is deathless, though the envious die,

And shafts of slander, hissing through the dark,

Have ever loved, like death, a shining mark.

Then do not think those shafts could pass thee by.

Thy conscious worth, and purpose pure and high

Cannot defend from little curs that bark;

No wall, high as the flight of morning lark,

Can top the poisoned arrows as they fly.

Rise o’er the herd in feeling, thought, or deed,

And feel the bitter sting of Envy’s tongue;

Rise higher yet, and thus confound the throng,—

Only a respite brief thy soul may read.

Success, e’en more than merit, is a crime

To tongues as tireless as the feet of Time.

TRUE FREEDOM.

TO J. F. F.

He is not truly free who fears to speak

The burning words that flame from heart to tongue,

When in the presence of a hoary wrong,

E’en though upheld by gown and surplice sleek,

And hears unheeded the oppressed and weak.

Nor friendship from the great, the rich, the strong,

Nor grateful plaudits from the servile throng,

The free-born spirit must expect or seek.

Think not that power and place will come to thee—

Sooner some sordid soul the race will win;

E’en in the days of Cid and Paladin,

And glorious days of Arthur’s chivalry,

The golden spurs by cravens oft were won,

While hearts as brave as Arthur’s died unknown.

“SOCIETY.”

Dear, simple friend, and did you think to find

Aught but hypocrisy and fair smooth lies

In this charmed circle, that would ostracize

All for a pair of gloves the most refined,

The noblest type of man or womankind?

A set whose aspirations never rise

Above the triumphs wealth and fashion buys;

Who ape the opinions with devotion blind,

The coats and gowns, of royal debauchees

And their bold paramours from over seas.

How hope a noble womanhood to gain

Nourished upon such stifling airs as these.

Fashion forbids to rise above a plane

That dudes and lah-de-dahs can just attain.

THE STAGNANT POOL.

Stooping beside a stagnant pool to drink

I saw a woman, weary and forlorn,

With hair unkempt, and garments stained and torn;

All grace of womanhood was fled, no link

Remained of happier days; along the brink

Swept by a stately dame with words of scorn;

“Though I had thirsted since the early morn,

Before my feet in that foul wave should sink

My willing lips should press the cup of death.”

O scornful dame! before the night was black,

Lo! I beheld thy swift feet speeding back,

With robes dishevelled and with gasping breath,

In this same wave thy parching lips to cool,

As eagerly as ’twere a mountain pool.

THE MAN WITH THE MUCK-RAKE.

An old and well-known allegory reading,

I found a quaint and curious picture there,

Of one who gathered straws and dirt with care,

The golden crown above his head unheeding.

Science to-day, than avarice more misleading,

Hath slain our father’s faith and hope and prayer;

We rake the seas, and sweep the earth and air

To find new theories for our own impeding.

And some for tinsel toys of social glory,

And Church and State, toil through the grovelling years.

How can we hear the music of the spheres,

Clutching the muck-rakes of the allegory?

Our blunted senses only can discern

The paltry baubles over which we yearn.

IMMORTALITY.

My vision floats far down the milky-way,

A shining track across a shoreless sea

As deep and boundless as eternity.

Suns sail in myriads there, and comets stray,

Youthful, while hoary ages roll away.

O fleeting life, the stars that shine on me

Smiled just the same when star-lit Galilee

Beneath the Saviour’s feet in slumber lay.

What countless swarms of man’s ephemeral race

Live, love, and die, while ye sail coldly on!

Yet they shall rise, the teeming millions gone,

And gaze unmoved, while from their ancient place

The morning stars like baleful meteors fleet,

And while the heavens melt with fervent heat.

TO A YOUNG ARTIST.

The matchless artists of the olden time

Knew naught of critic’s jargon; to their toil

Bending as one that digs a stony soil,

Sparing nor bloom of youth nor manhood’s prime,

They caught and fixed their floating dreams sublime.

So must we shun all vain polemic broil,

Nor vex our souls with theories’ turmoil

If to ideal heights we fain would climb.

Our vintage time is speeding fast away,

The morning faileth; then with double will,

In spite of noonday glare or evening chill,

Gather the glowing clusters while we may.

So may our failing eyes see some faint beams

Shed o’er our work from our supernal dreams.

THE END.

Transcriber’s Note:

In poem “Shadows”, final stanza, “vail” changed to “veil”.

In poem “Twenty Years Ago”, penultimate stanza, “plantive” changed to “plaintive”.

*** END OF THE PROJECT GUTENBERG EBOOK WINONA, A DAKOTA LEGEND; AND OTHER POEMS ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

WINONA: A DAKOTA LEGEND

WINONA: A DAKOTA LEGEND.

PROEM.

PART I.

THE COMBAT BETWEEN THE THUNDER-BIRDS AND THE WATER-DEMONS.

PART II.

THE GROVE.

PART III.

FOOTNOTES

MISCELLANEOUS POEMS

TO A YOUNG MAN.

TELL ME, DEAR BIRD.

PERDITA.

STANZAS TO ⸺.

LOVE’S TRIBUTES.

THE LITTLE SHEPHERDESS.

A FAREWELL.

TO A FICKLE FAIR ONE.

TO THE SAME.

THE PALACE OF REPOSE.

MOODS.

TO ⸺.

TO ⸺.

TO THE SAME.

TO THE SAME.

TRANSLATIONS AND IMITATIONS

IF MY VERSES HAD WINGS LIKE A BIRD.

’TWIXT SLEEP AND WAKING.

WHITE SWAN SAILING.

THE ROSES OF SAADI.

ROSE-BUDS.

THE BIRD I WAIT FOR.

VISIONS.

THE FISHERMAN’S BRIDAL.

YOU HAD MY WHOLE HEART.

ART.

BARCAROLLE.

SHADOWS.

SONNET: OU VONT ILS?

THE GAY CASHIER.

THE RAVAGES OF TIME.

HALLUCINATION.

I.

II.

III.

IV. IN THE GROVE.

TO MY CRITICS.

THE YOUTH AND THE OLD MAN.

THE CATHEDRAL BELL AND ITS RIVAL.

BLUE EYES AND BLACK EYES.

I.

II.

COMPLAINT TO THE VIRGIN.

THE CRUCIFIXION.

FROM THE SPANISH.

THE BOOK OF LIFE.

MEMORIAL DAY, AND OTHER POEMS.

TWENTY YEARS AGO.

ABRAHAM LINCOLN.

THE PRISONER’S DREAM.

HOW OFT A SENTRY SAD AND LONE.

FROM COPLAS OF AN ANDALUSIAN SOLDIER.

FROM THE SAME.

THE GLORY OF A SPANISH DRAGOON.

WRITTEN FOR A REUNION OF VETERANS IN THE YEAR 1915.

TWENTY-FIVE SONNETS

TO ⸺.

POESY.

THE ROSE.

TO A FAIR SANTA BARBARAN.

LA DIVA.

TO A HAPPY LOVER.

METEMPSYCHOSIS.

I.

II.

THREE SONNETS IN MEMORIAM.

I. DESPAIR—THE ABYSS.

II. QUESTIONING.

III. CONSOLATION.

IN MEMORY OF D. G. R.

IN MEMORY OF JOHN BROWN OF OSSAWATTOMIE.

I.

II.

III.

OUR LOST ONES.

THE OCEAN OF THE PAST.

EVIL DAYS.

ENVY AND SLANDER.

TRUE FREEDOM.

“SOCIETY.”

THE STAGNANT POOL.

THE MAN WITH THE MUCK-RAKE.

IMMORTALITY.

TO A YOUNG ARTIST.

THE FULL PROJECT GUTENBERG LICENSE