A Second Book of Operas by Henry Edward Krehbiel

Read now or download (free!)

Choose how to read this book Url Size
Read online (web) https://www.gutenberg.org/ebooks/3770.html.images 370 kB
EPUB3 (E-readers incl. Send-to-Kindle) https://www.gutenberg.org/ebooks/3770.epub3.images 223 kB
EPUB (older E-readers) https://www.gutenberg.org/ebooks/3770.epub.images 228 kB
EPUB (no images, older E-readers) https://www.gutenberg.org/ebooks/3770.epub.noimages 209 kB
Kindle https://www.gutenberg.org/ebooks/3770.kf8.images 375 kB
older Kindles https://www.gutenberg.org/ebooks/3770.kindle.images 364 kB
Plain Text UTF-8 https://www.gutenberg.org/ebooks/3770.txt.utf-8 348 kB
Download HTML (zip) https://www.gutenberg.org/cache/epub/3770/pg3770-h.zip 216 kB
There may be more files related to this item.

About this eBook

Author Krehbiel, Henry Edward, 1854-1923
Title A Second Book of Operas
Note Reading ease score: 63.4 (8th & 9th grade). Neither easy nor difficult to read.
Contents Biblical operas -- Bible stories in opera and oratorio -- Rubinstein and his "Geistlich oper" -- "Samson et Dalila" -- "Die königin von Saba" -- "Hérodiade" -- "Lakmé" -- "Pagliacci" -- "Cavalleria rusticana" -- The career of Mascagni -- "Iris" -- "Madama Butterfly" -- "Der rosenkavalier" -- "Königskinder" -- "Boris Godounoff" -- "Madame Sans-Gêne" and other operas by Giordano -- Two operas by Wolf-Ferrari.
Credits Produced by Charles Franks, Robert Rowe and the Online
Distributed Proofreading Team. HTML version by Al Haines.
Summary "A Second Book of Operas" by Henry Edward Krehbiel is a literary examination of operas, particularly those that draw upon Biblical stories, written during the late 19th century. The work discusses various operas and oratorios, scrutinizing their thematic connections to Biblical narratives as well as the creative processes of their composers, including the manipulations and adaptations that occur when transferring stories from text to stage. The opening of the book sets the stage for Krehbiel’s exploration of Biblical operas, beginning with a discussion on the challenges posed by censorship and audience expectations. He reflects on notable works like Gounod's "Reine de Saba," and how titles and content sometimes shift away from their scriptural origins to appease cultural sensitivities. Krehbiel introduces the complex relationship between music and narrative in operas such as Handel's "Mose in Egitto" and Saint-Saens's "Samson et Dalila," highlighting both the artistic merit as well as the potential pitfalls concerning faithfulness to the original Biblical texts. The opening portion demonstrates Krehbiel’s understanding of the interplay between dramatic representation and musical composition and sets the stage for a deeper analysis of individual operas throughout the subsequent chapters. (This is an automatically generated summary.)
Language English
LoC Class MT: Music: Musical instruction and study, Composition
Subject Operas -- Stories, plots, etc.
Category Text
EBook-No. 3770
Release Date
Most Recently Updated Jan 8, 2021
Copyright Status Public domain in the USA.
Downloads 69 downloads in the last 30 days.
Project Gutenberg eBooks are always free!